Daniel Hojnacki

Oct 15, 2024 | atlanticcouncil.org | Patrick Quirk |Frederick Kempe |Daniel Hojnacki |David L. Goldwyn

EnergySource Oct 30, 2024 What will a Trump or Harris administration mean for climate and energy policy? By David L.

May 7, 2024 | atlanticcouncil.org | John R. Cookson |Daniel Hojnacki |Katherine Walla |Daniel Malloy

The Atlantic Council’s greatest hits of 2023 At the Atlantic Council, we connect the dots for policymakers on the most urgent global challenges of our age—and the list is long, from artificial intelligence to climate change to trade policy and beyond.

Dec 20, 2023 | atlanticcouncil.org | John R. Cookson |Daniel Hojnacki |Katherine Walla |Daniel Malloy

In October, I urged US President Joe Biden to “connect the dots” on the threats to the global order posed by Russia’s revanchism, China’s antagonism, and Hamas’s brutality. It was a natural point to make because that’s what the talented team at the Atlantic Council does best. We connect the dots for policymakers on the most urgent global challenges of our age—and the list is long, from artificial intelligence to climate change to trade policy and beyond.

Nov 4, 2023 | lenscratch.com | Daniel Hojnacki

Kioto Aoki is an artist, photographer, musician, educator, and book maker living in Chicago, IL. Kioto Aoki’s artistic practice spans many disciplines. Sometimes these all touch at a poetic point of grace and quietness in her visual work. I continue to be inspired by Kioto’s clever playfulness with the photographic medium. It seems nearly anything can be a camera for Kioto, even her body is sometimes a stand-in for an aperture or a 16mm film strip.

Aug 14, 2023 | lenscratch.com | Daniel Hojnacki

I learned of Shoshannah White’s work while I was a graduate student at the University of New Mexico. Their work was published in Southwest Contemporary Magazine as one of 12 New Mexico Artists to Know in 2021. Quiet, yet intense abstracted forms hovered on the surface of Shoshannah’s black and white images. Imbued with a sense of mystery and haunting beauty, I knew from the first time I saw White’s work, I needed to know what it was I was looking at or looking for rather.