Daniella Ignacio's profile photo

Daniella Ignacio

Washington, D.C., United States

Contributing Editor at American Theatre

Writer and Reviewer at Freelance

she/her | 🇵🇭 | writer | theatre artist | musician | @AmericanTheatre contributing editor | 📝: @washingtonian, @51stnews, @dctheaterarts, @3viewstheater

Articles

  • 1 week ago | americantheatre.org | Daniella Ignacio

    In a nation where the arts and education are under attack, it’s more than vital ever for young people to have opportunities to explore the arts with organizations that offer after-school learning, especially low-income and diverse populations that may not have the opportunity otherwise.

  • 3 weeks ago | americantheatre.org | Daniella Ignacio

    The New York Theatre Workshop production of Celine Song’s debut play Endlings closed on March 12, 2020—a casualty of Covid-19 lockdowns. Five years later, Song’s play about three elderly Haenyeos (sea women) is making a comeback with a regional premiere at Philly’s Hedgerow Theatre through June 1, where the production has acquired fresh topicality as well as a new approach to its movement design for a piece that dives deeply into immigration and assimilation.

  • 3 weeks ago | dctheaterarts.org | Daniella Ignacio

    “To be an artist means never to avert one’s eyes.” — Akira KurosawaIf I were Julia Izumi thinking of a question to ask fellow actors in a meta-theatrical play, I’d want to ask one that’s been on my mind a lot recently: Do you think theater can be transformative? What can it really do when the world is on fire? Subversive art may be a weird way of communicating comfort. Yet it also makes sense to my brain, which likes things to be complicated and analyzable, even when the world could be simple.

  • 3 weeks ago | americantheatre.org | Daniella Ignacio

    Summer stock—the time-honored tradition of professional theatres that primarily operate from early through late summer, with repertory companies that rehearse and perform simultaneously—is still very much a thing.

  • 1 month ago | americantheatre.org | Daniella Ignacio |Rob Weinert-Kendt

    Call it a Friday night massacre: On the evening of May 2—just hours after the Trump administration released a proposed budget that would entirely eliminate the both the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH), among dozens of other federal agencies—hundreds of arts organizations of all sizes and kinds across the U.S. received emails from the NEA withdrawing pending grants and terminating existing ones, in amounts ranging from $10,000 to...

Try JournoFinder For Free

Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.

Start Your 7-Day Free Trial →

X (formerly Twitter)

Followers
290
Tweets
279
DMs Open
No
daniella ignacio
daniella ignacio @daniellai34
24 Jan 25

RT @anatacess: nobody is more stressed than a person who has a lot of interest or passions and is still confused about their career

daniella ignacio
daniella ignacio @daniellai34
31 Oct 24

RT @angelmendoza___: i hate journalism halloween what do you mean you’re writing directly in the cms

daniella ignacio
daniella ignacio @daniellai34
29 Oct 24

wandering out of the office and talking to people for man on the streets has become one of my favorite pastimes. here's today's adventure from the line outside kamala harris' rally: https://t.co/yU5DuRwtQ5