Articles
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2 weeks ago |
julieroys.com | David Trigg |Julie Roys
(Opinion) Despite being the bestselling book of all time, the Bible is certainly not the most read. Some find the Christian scriptures intimidating and confusing, while others don’t see the value of daily Bible reading. As a result, Bible engagement has reached an all-time low in many parts of the West. Seeking to counter this decline, the Word for Word Bible Comic is on a mission to bring the Bible to life like never before.
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1 month ago |
theartnewspaper.com | David Trigg |Gareth Harris
In 1944, the first substantial monograph of the British sculptor Henry Moore was published by Lund Humphries. Produced under wartime conditions, Henry Moore: Sculpture and Drawings was a remarkable achievement, and its success led to subsequent books on contemporary British artists, including Ben Nicholson, Barbara Hepworth and Paul Nash.
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Jan 20, 2025 |
religionunplugged.com | David Trigg
(REVIEW) The Baroque painter Francisco de Zurbarán is celebrated today as one of the greatest masters of the Spanish Golden Age. His many paintings of friars, nuns and saints for the churches and religious orders of Andalusia earned him the sobriquet “painter of monks.” A favoorite subject was Saint Francis of Assisi and nearly 50 paintings of the 13th-century friar by Zurbarán or his assistants are known to have survived.
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Jan 15, 2025 |
studiointernational.com | David Trigg
In response to hearing the increasingly rare sound of a nightingale singing, Hambling has produced a new series of paintings in a striking palette of gold and silver laid over a dark black ground, evoking a mood, a feeling of wonder and vitality, a moment in time Maggi Hambling: Nightingale Night, installation view, Pallant House Gallery, Chichester, 9 November 2024 – 27 April 2025. Photo: © Pallant House Gallery, Barney Hindle.
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Jan 8, 2025 |
theartnewspaper.com | David Trigg
The genesis of Hold Still: A Memoir with Photographs lies in an unexpected invitation received by the American photographer Sally Mann (born 1951) to deliver the distinguished Massey Lectures at Harvard University. Filled with trepidation, she climbed into her attic to seek inspiration from the residue of her unexamined past: the stacks of letters, journals, childhood drawings and photographs that had been left untouched for decades.
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