Articles

  • Jan 17, 2025 | newcriterion.com | Anthony Daniels |David Yezzi |Pat Lipsky |Eva Resnikova

    Last night was Wagner night at the New York Philharmonic. Did they do Act I of Die Walküre? No, there were no singers. They played Lorin Maazel’s Ring synthesis—his “Ring without Words.” This is a masterly concoction, by a masterly musician, Maazel. He conducted the Philharmonic in his synthesis when he was the orchestra’s music director (2002–09). He also conducted the Vienna Philharmonic in it at Carnegie Hall, in 2012. On that occasion, there was a Mozart symphony first (No. 40).

  • Jan 17, 2025 | newcriterion.com | Anthony Daniels |David Yezzi |Pat Lipsky |Eva Resnikova

    Recent stories of note:“Facing multiple threats, Peruvian archaeologists remain determined to research the Americas’ oldest known civilization”Maria Luisa del Río, The Art NewspaperFor most of us, bands of violent robbers in the desert are thankfully the stuff of old Westerns. But they are an occupational hazard for Ruth Shady, an archaeologist who in 1994 discovered a five-thousand-year-old civilization on the coast of Peru, far preceding the Incas.

  • Jan 14, 2025 | newcriterion.com | David Yezzi |Eva Resnikova |Karen Wilkin |Sarah Ruden

    Fiction: Lawrence Venuti and Michael Wood on Dino Buzzati’s The Bewitched Bourgeois, at McNally Jackson Books at the Seaport (January 16): In the fall of 2023, our fiction critic, Andrew Stuttaford, commended to readers a new translation of Dino Buzatti’s Il deserto dei Tartari (1940), now issued as The Stronghold—a shadowy, suggestive novel about life in a frontier garrison that may have been “[a]n oblique response to Kafka’s The Castle.” That volume’s translator, Lawrence Venuti, and...

  • Jan 13, 2025 | newcriterion.com | David Yezzi |Eva Resnikova |Sarah Ruden |Karen Wilkin

    It’s often said that an immortal monkey, sitting at a typewriter with no deadline and jabbing at random, will eventually produce the complete works of Shakespeare. For a human being who speaks English, this ought to take somewhat less than forever. An Elizabethan or Jacobean playwright, in turn, is natively proficient in early modern English and knows the work, and possibly the man, well. He may have cowritten a play or two with Shakespeare, and some of the Bard’s stuff, he feels, is really his.

  • Jan 13, 2025 | newcriterion.com | David Yezzi |Eva Resnikova |Sarah Ruden |Karen Wilkin

    Yesterday, Igor Levit returned to Carnegie Hall, as he does frequently—as all great musicians should, I think. Carnegie Hall should present the best, regularly. But this does not always work out. For the reasons, consult industry insiders (who do not include me). Arcadi Volodos has not appeared in Carnegie Hall since 2003. Grigory Sokolov, since 1975. Like Igor Levit, they are Soviet-born pianists. You can see all three at the Salzburg Festival every summer.

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