Debra Brehmer's profile photo

Debra Brehmer

Milwaukee

Contributor at Freelance

Contributor at Hyperallergic

A contemporary art gallery dedicated to the ideas and social context of the portrait.

Articles

  • 1 month ago | hyperallergic.com | Natalie Haddad |Lisa Zhang |Debra Brehmer |Alexis Clements |Alexandra Thomas

    We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. The exhibitions below ask viewers to engage their senses and spend time with art that’s slower to reveal itself. That may means noticing details you’d otherwise miss, in the work of Madalena Santos Reinbolt and Deborah-Joyce Holman.

  • 1 month ago | hyperallergic.com | Debra Brehmer

    We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. Madalena Santos Reinbolt’s woven embroideries are made of commercial, acrylic yarn, an unforgiving medium often associated with grade school weaving kits and resale store afghans. But the artist’s quadros de lã (“wool paintings”) miraculously, almost magically, transcend categories of high and low, craft and painting.

  • 2 months ago | hyperallergic.com | Debra Brehmer

    We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. MILWAUKEE — Benny Andrews was a painter, as well as an activist, an art educator in prisons, and an inspiration to many Black artists. He made figurative paintings utilizing a technique he called “rough collage,” where he selectively built up parts of the composition with paper or fabric.

  • Jan 16, 2025 | hyperallergic.com | Debra Brehmer

    We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. Mexico City — The Museo de Arte Moderno is nearly vacant when I visit. It feels unnatural to enter a quiet space in Mexico City. This is a place where the streets clamor, in the best possible way. Clean-up crews usher in the morning with clanky carts and the swish of straw brooms.

  • Nov 7, 2024 | hyperallergic.com | Debra Brehmer

    We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, consider supporting us as a member. Join Us LONDON — At first glance, Tracey Emin’s I followed you to the end at White Cube resembles her last exhibition at the gallery. The emotive works in A Fortnight of Tears, five years ago, were influenced by the recent death of the artist’s mother.

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Portrait Society Gallery
Portrait Society Gallery @portraitsociety
26 Jan 22

They could and they did - https://t.co/Hgm2ofsOWh

Portrait Society Gallery
Portrait Society Gallery @portraitsociety
31 Oct 21

This writer watched the entire 14-hour video currently on view in Lois Bielefeld's exhibition, To commit to memory. Heroic! https://t.co/0oGwskVe07

Portrait Society Gallery
Portrait Society Gallery @portraitsociety
12 Oct 21

Is this the most boring film ever made? - https://t.co/lvRjZueWBa