Hyperallergic

Hyperallergic serves as a platform for diverse, thoughtful, and innovative viewpoints on contemporary art and culture. Their daily newsletter reaches 70,000 subscribers and features a weekly letter from the editor every Tuesday, summarizing the most significant and popular stories. Subscribers also receive exclusive invitations to Hyperallergic events, which encompass discussions, parties, screenings, and performances. Additionally, Hyperallergic offers a Weekend edition curated by a team of prominent writers and journalists, such as John Yau, Thomas Micchelli, and Albert Mobilio.

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Articles

Artists Brace for High Production Costs Amid Tariffs Chaos

1 day ago | hyperallergic.com | Aaron Short

Stephanie Mercedes was preparing for her next exhibition when she received a quote last month from her Maryland steel supplier. The price of sheet metal had tripled since her last order. “I like using steel plates in a lot of my work because it’s a very resonant metal and it’s percussive,” she told Hyperallergic.
Who Says You Have to Leave Brooklyn to Go to an Art Fair?

5 days ago | hyperallergic.com | Aaron Short

With more than a dozen fairs occurring simultaneously this week and next, New York’s spring art season can be dizzying. But across the Brooklyn Bridge, away from the perhaps buzzier Manhattan shows, a more intimate opportunity to engage with artists awaits. Independent artists run the show at The Other Art Fair held at ZeroSpace in Boerum Hill, which is returning for its 15th year and features 127 artists from 14 different countries and a heavy Brooklyn contingent.
Penumbra Theatre Sets the Stage for Black American Artistry and Healing

5 days ago | hyperallergic.com | Seph Rodney

America’s Cultural Treasures: This article is part of a series sponsored by the Ford Foundation highlighting the work of museums and organizations that have made a significant impact on the cultural landscape of the United States. The work is to really dig into and continue to deepen our understanding of what racial healing means.
Frieze New York Is Back to Its Old Ways

6 days ago | hyperallergic.com | Hakim Bishara

“Oh, I looove her!” I hear a woman in a striped suit gushabout Belgian artist Ann Veronica Janssens, whose large glass piece “Pinky Sunset R” (2021) is currently on view at Esther Schipper gallery’s booth at Frieze New York. “Ugh,” she grunts with elation. “This!” she points back at the piece as she walks past it, “this is the stuff!” But the woman and her interlocutor zoom off, not stopping to get a better look at the $90,000 glass artwork, let alone purchase it.
Will the Real Cimabue Please Stand Up?

6 days ago | hyperallergic.com | Daniel Larkin

PARIS — Long lionized as the first breakthrough painter of the early Renaissance, Cimabue has rarely been the subject of monographic exhibitions. With only 12 works securely attributed to him currently, many of which are too fragile to travel, a full retrospective remains a logistical impossibility. For this reason, A New Look at Cimabue at the Louvre offers a once in a lifetime opportunity to see numerous works by this legendary artist in a single room.
Art Review Archives

6 days ago | hyperallergic.com | Daniel Larkin

Posted inArt Review The Louvre’s conservation of two Cimabue paintings led its curators to reassess the artist not as a predecessor to the Renaissance masters but on his own merits.
The National Museum of Mexican Art Touches Lives Beyond Chicago

6 days ago | hyperallergic.com | Seph Rodney

America’s Cultural Treasures: This article is part of a series sponsored by the Ford Foundation highlighting the work of museums and organizations that have made a significant impact on the cultural landscape of the United States. This institution, like others of its kind, engages and elevates our collective voice. That has been part of Carlos [Tortolero]’s vision, that we need to be telling our own story. He said, “We need to be here.
Required Reading

6 days ago | hyperallergic.com | Hrag Vartanian

‣ Plagiarizing independent media is part of corporate media’s business model. Jacob Weindling, writing for Splinter, explains:Plagiarism is shockingly common in mainstream media, especially at the New York Times. In 2019 Vice wrote a whole article just about the New York Times taking other people’s reporting, making it their own and then not linking to the original report, and even that extensive article wasn’t uncovering a new dynamic.
A View From the Easel

6 days ago | hyperallergic.com | Lakshmi Rivera Amin

Welcome to the 284th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists relish the luxury of walls and run a minimal-waste studio. Want to take part? Check out our submission guidelines and share a bit about your studio with us through this form! All mediums and workspaces are welcome, including your home studio. How long have you been working in this space? Sixty years.
Esther Art Fair Returns to a Beaux Arts Architectural Gem

6 days ago | hyperallergic.com | Julie Baumgardner

“It’s really key to our industry to be delusional. Like, you just need to have this delusional brain to run a gallery these days,” said Tribeca-based dealer Margot Samel. The delusion, of course, is “a true belief in what artists are doing,” she told me, and imagining how to put together a collection of ideas that reflect contemporary art’s telos of now. Luckily, that’s all found in the second edition of Esther, known as Esther II, which runs until this Saturday, May 10.