
Diane Mehta
Managing Editor at School Library Journal
Author and Writer at Freelance
Writer & Editor. Happier Far: Essays 2025, Tiny Extravaganzas 2023 (poems). Novel 1946 Bombay TK. New Yorker, Kenyon, VQR, A Public Space. Bombay-NYC.
Articles
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3 weeks ago |
ncronline.org | Diane Mehta |Michael Mewshaw
(Unsplash/Marco Montero Pisani) American damage is the story underneath the story in Michael Mewshaw's powerful literary thriller set in Granada, Spain. More than 20 books into his career, Mewshaw is deft at creating a story that is not as it appears yet is exactly as it appears. The rubbery life of a narrative relies on a sequence of perfectly normal scenes that promise to be entertaining, until the whole thing explodes and we are no longer laughing.
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1 month ago |
lithub.com | Diane Mehta
When I feel most invisible, I turn to YouTube and watch videos of freediving. I became enthralled when I was researching the motions and rhythms of being proficiently underwater for a scene in my novel about my parents.
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2 months ago |
longreads.com | Diane Mehta
Diane Mehta | Longreads | February 18, 2025 | 4,533 words (16 minutes)“Her Greatest Hits” is a piece excerpted from Happier Far: Essays by Diane Mehta, published by the University of Georgia Press and on sale March 15, 2025. My mother was no spendthrift, but her mind was rich.
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Oct 28, 2024 |
newyorker.com | Diane Mehta |“Forest with Castanets.”
Clever in the fold, you bendbackbend (uplift, clouds),bend again as if the spine,excited to perform,thinks without uncertaintythat it is dance itself. Uncertainly, we seegrace, fracas, memory—we are always seekinggood inversions, chieflybecause we know discomfortand want to conquer it. I wonder how it feelsinch by inch to find the floorand, forsaking safety, leave it. So much your body is meshedin flex and yet yields tougherthan softness suggests. But do you ever feel your bodyis a noose?
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Feb 29, 2024 |
harvardreview.org | Diane Mehta |Andrew Koenig
by Diane Mehtareviewed by Rhony Bhopla“What is love?” This age-old question is the main query of Diane Mehta’s Tiny Extravaganzas. In these eloquent poems, Mehta responds to this question, and to artworks, with a tempered euphoria. The final quatrain from “Pot-pourri À Vaisseau, From Sèvres,” for instance, reads more like the beginning of a poem than the ending:Art is love modeled in experiencefired at higher temperatures than experience.
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