
Articles
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5 days ago |
1854.photography | Tom Seymour |Diane Smyth
Image © Crispin Hughes/Photo Co-op Archive. Courtesy of Martin Parr Foundation. Image shown at Photography versus Thatcher exhibition. Set up in 1990, the space remains committed to image-making and image-makers, and now has a handsome new London home, Tom Seymour and Diane Smyth reportFounded in 1990, Photofusion was part of a radical moment in photography.
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2 weeks ago |
msn.com | Diane Smyth
Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.
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2 weeks ago |
theguardian.com | Diane Smyth
In September the Pompidou Centre in Paris closes for five years for renovation. The building is nearly 50 years old and needs to be cleared of asbestos, and to reconnect with Renzo Piano and Richard Rogers’ original design after years of architectural accumulations. Many of the departments are already moving into temporary new homes, including the huge Bibliothèque publique d’information, the public library usually based on the second floor.
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4 weeks ago |
1854.photography | Diane Smyth
The Cock (kiss), 2022. All images © Wolfgang Tillmans With a huge exhibition in the Pompidou Centre’s vacated Public Information Library, the artist also asks how we might consider the present to see into the future I’m speaking with Wolfgang Tillmans in the evening on 23 December; he’s at his parents’ house, having gone back to spend Christmas with them.
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1 month ago |
djmag.com | Diane Smyth
© Thomas Adank / Barbican Centre An immersive virtual reality experience, In Pursuit of Repetitive Beats, has opened at London’s Barbican Centre. Taking place from 22nd May until 3rd August, it invites visitors to “travel back in time to the heart of the acid house scene” where groups of four “can share the same virtual space and interact together as rave culture pioneers”.
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