Dipankar De Sarkar
National Editor at Mint
Journalist at Mint, ex foreign correspondent, Europhile Dylanesque Tagorean
Articles
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3 days ago |
vaguevisages.com | Dipankar Sarkar |Dipankar De Sarkar
2020s Girish Kohli’s debut feature film, Crazxy, delivers a high-stakes, real-time thriller that skillfully unravels the complexities of morality, redemption and human flaws. As Dr. Abhimanyu Sood, Sohum Shah’s commanding performance anchors the film, ensuring that the narrative challenges viewers to confront their moral compass. Crazxy releases theatrically on February 228, 2025 and can be streamed on Amazon Prime Video.
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6 days ago |
upperstall.com | Dipankar De Sarkar
The Aamir Khan starrer Sitaare Zameen Par, an official remake of the Spanish film Champions, could be seen as a spiritual sequel to his directorial debut, Taare Zameen Par (2007). Directed by RS Prasanna, the film tells us that people with different abilities deserve equal respect, love, and space in our society. And while the intent is noble, the film often feels too eager to teach us its message rather than conveying it simply through its story.
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2 weeks ago |
vaguevisages.com | Dipankar Sarkar |Dipankar De Sarkar
Pradip Kurbah crafts a tale of emotional precision with The Elysian Field, a 2025 Khasi-language Indian film that unfolds through the fragile and persistent rhythms of everyday survival. Set in the Khasi Hills of 2047, the story follows a group of villagers who, bound by quiet loyalty to their land and each other, refuse to let their way of life simply fade away.
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1 month ago |
upperstall.com | Dipankar Sarkar |Dipankar De Sarkar
Sasanka Samir’s debut film, Bhaimon Da (2025), is a biopic that narrates the ups and downs of Munin Barua (1946-2018), the legendary filmmaker who, despite many challenges, kept popular Assamese cinema alive since his directorial debut with Pratima (1987). Barua was a pioneer who made commercial films that brought people back to the theatres at a time when Assamese cinema was struggling to survive.
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1 month ago |
upperstall.com | Dipankar Sarkar |Dipankar De Sarkar
In Bhool Chuk Maaf (2025), debutant director Karan Sharma blends the rom-com formula with a time loop premise, aiming for a commentary on societal expectations. But despite its promising setup, the film finds itself stuck in a repetitive narrative rut, leaving both its protagonist and the audience circling the same emotional ground with diminishing returns and resulting in an inert experience.
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Arijit will be the first Indian musician to headline a UK stadium (after Freddie Mercury, that is). https://t.co/lH6Jry89JC
Beyond the buzz: Has India really surpassed Japan to become 4th-largest economy? The answer is not yet. To know why you need to read this. https://t.co/iPyh7OgPxy Subscribe to the Mint Premium 1 year plan using this link at ₹ 500 off - https://t.co/g8m80cW73x
To update the Golden Arches Theory of Conflict Prevention, no two countries that have Trump Towers will go to war against each other https://t.co/U5daE0gmmb
