Dominic Baez
Features Desk Editor at Seattle Times
Who knew the Internet could be so random?
Articles
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2 days ago |
thebrunswicknews.com | Dominic Baez
It's hard to root for Riri Williams. The titular protagonist of the new Marvel miniseries "Ironheart," played by a blazingly defiant Dominique Thorne, is undeniably brilliant, ambitious and snarky. She's also childishly petulant, defensive and myopic, willing to rationalize anything she does and step over anyone in her way in order to achieve ... well, the show never really answers that question.
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3 days ago |
seattletimes.com | Dominic Baez
It’s hard to root for Riri Williams. The titular protagonist of the new Marvel miniseries “Ironheart,” played by a blazingly defiant Dominique Throne, is undeniably brilliant, ambitious and snarky. She’s also childishly petulant, defensive and myopic, willing to rationalize anything she does and step over anyone in her way in order to achieve … well, the show never really answers that question.
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3 days ago |
dailygazette.com | Dominic Baez
It’s hard to root for Riri Williams. The titular protagonist of the new Marvel miniseries “Ironheart,” played by a blazingly defiant Dominique Thorne, is undeniably brilliant, ambitious and snarky. She’s also childishly petulant, defensive and myopic, willing to rationalize anything she does and step over anyone in her way in order to achieve … well, the show never really answers that question.
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5 days ago |
seattletimes.com | Dominic Baez
The 2019 game Death Stranding was something unique, an ingenious meditation on the meaning of connection in a world on the verge of annihilation. Its core premise — that we have nothing if we don’t have each other — was at once universal and dazzlingly distilled to the travels of one lonely man in a society full of disconnected people. And that’s before supernatural entities, the possible end of all life and babies floating in pods came into play.
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1 month ago |
seattletimes.com | Dominic Baez
Editor’s note: This includes spoilers for “The Last of Us” Season 2. Adaptations are a tricky thing. Stick too close to the source material, and you invite questions like, “Why did you even bother?” Stray too far afield, same thing. The best of them, like the first season of HBO’s “The Last of Us,” tell you a story you already know in new and exciting ways. They elevate and expand, offering depth and nuance you didn’t get originally. The rest, like “The Last of Us” Season 2, which ended Sunday?
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