Dov Kornits

1 day ago | filmink.com.au | Dov Kornits

by FilmInk StaffStruggling after the death of her daughter in the Christchurch earthquakes, Mareta reluctantly takes on the role of substitute teacher at an elite, wealthy private school and is surprised to find children crying out for guidance, inspiration, and love.

1 day ago | filmink.com.au | Dov Kornits

by Dov Kornits15-year-old Charli Fletcher’s short film Don’t Ignore Me awarded Best Short Film at the Inner West Film Fest. 17 April had been coined National Australian Film Day as the Inner West Film Fest closed its 2025 edition with its annual Short Film Showcase, a screening of the 12 best short films submitted this year, followed by the world premiere of James Robert Woods’ feature film debut, Moonrise Over Knights Hill.

2 days ago | filmink.com.au | Dov Kornits

by Rodney SandersThe portrayal of digital games websites has become a compelling element in present-day New Zealand film production. Through their combination digital gaming and filmmaking create an intriguing investigative platform to track New Zealand gaming trends and understand its cinematic characteristics. The Digital Shuffle: Game Themes in New Zealand FilmNew Zealand film industry has altered its portrayal of gaming since its previous depiction two decades ago.

3 days ago | filmink.com.au | Dov Kornits

by Dov KornitsWell, well, well … it seems that Angel Studios’ The King of Kings has been resurrected off the back of its enormous success in the US. At the opposite end of the spectrum, Ryan Coogler’s Sinners has opened reasonably well, but not with the same enthusiasm as the US. The same success cannot be said for Australian film The Correspondent, which packed out preview Q&As and dominated media stories, but opened very softly on wide release.

4 days ago | filmink.com.au | Dov Kornits

by Stephen VaggOur series of forgotten British film executives looks at the American head of production at the Rank Organisation. Most of us who grew up on Rank movies of the 1950s and 1960s (A Night to Remember, Robbery Under Arms, etc) will be familiar with the name “Earl St John”, whose credit was plastered on many of them as executive producer. Ironically, St John isn’t a particularly well-remembered mogul, even for buffs who know a bit about the Rank Organisation.