Filmink

FILMINK is a monthly film magazine from Australia, published by FKP International Exports. It was established in July 1997 in Sydney by Dov Kornits and Colin Fraser. Over the years, the magazine has undergone significant transformations, starting as a free black-and-white publication and evolving into the glossy magazine we see today. In February 2011, FILMINK made history by becoming the first film magazine globally to offer a dedicated app for tablet users, making it available for purchase through the iTunes Store. This marked another significant shift in its journey. FILMINK caters to movie enthusiasts, covering a wide range of films, from independent arthouse features to major blockbusters, with a strong emphasis on Australian cinema, providing in-depth coverage of every local release.

National, Consumer

English

Magazine

Outlet metrics

Domain Authority

Ranking

Global

#443503

United States

#382354

Arts and Entertainment/TV Movies and Streaming

#4915

Traffic sources

Monthly visitors

Articles

Business Cards from Other Universes: AI-Generated Designs for Fictional Companies

1 week ago | filmink.com.au | Dov Kornits

by Anya FowlerEnvision being given a business card not for a technology startup company, but for a dragon-slaying firm. Or finding a shiny, chrome-plated card advertising teleportation consultation from a Martian bureau. With Dreamina’s AI image generator, every business—be it medieval, sci-fi, or completely bizarre—can have as much gumption in their brand as the worlds they’re from.
2025 Cannes Film Festival’s Sentimental Values

1 week ago | filmink.com.au | Dov Kornits

by Helen BarlowAs with the 2024 Venice Festival, when the jury headed by Isabelle Huppert delivered Pedro Almodovar his first top European festival award, the Golden Lion, to The Room Next Door, Hollywood was again shut out in Cannes this year, with the jury headed by Juliette Binoche announcing Jafar Panahi’s A Simple Accident (aka It Was Just an Accident) as the Palme d’Or winner.
The Best Football TV Commercials of All Time: Goals, Glory, and Great Ads

1 week ago | filmink.com.au | Dov Kornits

by Bern FletcherFootball and advertising have long gone hand-in-hand, with brands eager to tap into the global obsession that is the beautiful game. Whether advertising sportswear, drinks or the best free bets today, football is rarely far from the latest ads break. Over the years, some football-themed TV commercials have risen above the rest, becoming mini-blockbusters in their own right— making the news with their star-studded casts, cinematic flair, and unforgettable moments.
Vinnie Jones: From "Crazy Gang" Enforcer to Hollywood Tough Guy

1 week ago | filmink.com.au | Dov Kornits

by Brad SmallboneThere are many places you expect to find a footballer. From the latest Premier League news headlines to the best betting sites for football, the stars of the global game boast an impressive cultural presence. Occasionally, that presence extends to areas we perhaps wouldn’t expect, i.e. the silver screen. In recent years, few footballers have transferred their talents from pitch to screen as effectively as Vinnie Jones.
Australian Dystopian Comedy SNATCHERS to World Premiere at Raindance

1 week ago | filmink.com.au | Dov Kornits

by Dov Kornits“You get to a point where you realise that if you don’t back yourself, nobody else will,” says Snatchers screenwriter, co-director, producer, editor and star Craig Alexander. Made in Canberra, Snatchers follows a pair of lifelong mates and hospital orderlies (Alexander and Justin Hosking) in the not-too-distant dystopian future.
Forgotten British Studios: British Film-Makers

1 week ago | filmink.com.au | Dov Kornits

by Stephen VaggA studio that worked out of the Rank Organisation in the 1950s, and which could serve as an inspiration for a resuscitated Australian film industry today!We became aware of British Film-Makers when researching our earlier piece on Earl St John – in particular, the excellent book by Sue Harper and Vince Porter, British cinema of the 1950s: the decline of deference which is the source for much of the research for this piece.
How Interfaces Are Evolving

1 week ago | filmink.com.au | Dov Kornits

by Samuel CookOur interactions with technology are evolving faster than ever. From console controllers to motion sensors, and now to voice and gesture commands, the way we engage with entertainment systems and digital devices is entering a new era. These intuitive interfaces aren’t just cool tech — they’re reshaping how we experience virtual environments.
Win a double pass to The Great Lillian Hall

1 week ago | filmink.com.au | Dov Kornits

by FilmInk StaffFeaturing an all-star cast, THE GREAT LILLIAN HALL is a feel-good and inspirational story of resilience, showcasing the indomitable spirit of an artist in the face of insurmountable odds. Portrayed by the iconic Jessica Lange in a captivating performance, Lillian Hall is a beloved and seasoned actress on the brink of a career-defining performance on the Broadway stage. But as opening night approaches, her confidence is challenged.
Melodie’s Super Intelligent Music Search Tool is Here

1 week ago | filmink.com.au | Dov Kornits

by Liam Heitmann-Ryce-LeMercierMusic-licensing platform Melodie’s AI search tool (powered by Cyanite) allows filmmakers to find perfect pieces of human-made music. Melodie – founded by a family of Australian sound designers and composers, with the goal of helping content creators find the perfect music for their films and videos – has launched a new AI-powered update to refine their music search.
Box Office Report: 22 - 25 May 2025

1 week ago | filmink.com.au | Dov Kornits

by Dov Kornits Big numbers for Lilo & Stitch (mustn’t have read our review) and Mission: Impossible has seen total box office increase by almost 50% from last weekend! Meanwhile, phenomenal results for nature doco OCEAN with David Attenborough, which will be available to stream in a couple of weeks, and Kiwi charmer Tina, which proves yet again that Australians will turn up to Kiwi films, but not so much the other way round (actually, Australians won’t even turn up to Aussie films either, so...