Articles
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1 week ago |
slantmagazine.com | Ed Gonzalez
The release date of Grand Theft Auto VI has been pushed more times than we can count. The reasons all make sense, but they couldn’t be any more startlingly clear than when they’re staring at you right in the face.
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1 week ago |
slantmagazine.com | Ed Gonzalez
Earlier this month, it was announced that Japan Society and Metrograph had partnered on a 30-film retrospective of Japanese master Naruse Mikio, the first major survey of his work to screen in New York in 20 years.
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1 week ago |
slantmagazine.com | Ed Gonzalez
When the Cannes lineup was announced last month, one of the more noticeable omissions was Spike Lee’s latest joint, Highest 2 Lowest, a “reinterpretation” of Kurosawa Akira’s 1963 masterpiece High and Low. Then, one hour later, Lee took to his Instagram to confirm that that the film would indeed premiere at the festival, in the out of competition sidebar, and alongside the final Mission: Impossible film.
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4 weeks ago |
slantmagazine.com | Ed Gonzalez
The marketing folk over at Sony are cheeky monkeys. When I saw the email this morning announcing the new trailer for Danny Boyle’s 28 Years Later, I was greeted by the desiccated face of the man who, in the film’s first trailer, was mistakingly reported to be that of Cillian Murphy. Did Jim from 28 Days Later become infected by the Rage virus?
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1 month ago |
slantmagazine.com | Jordan Cronk |Ed Gonzalez
Allan Dwan was one of Hollywood’s most prolific directors, working from the silent era through the golden age of the studio system. The Toronto-born filmmaker made somewhere north of 400 films—many of them woefully obscure, unavailable, or lost—during his career, and in a variety of genres and registers.
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RT @yuval_abraham: When this mayor uses the word antisemitism to silence us, Palestinians and Israelis who proudly oppose occupation and ap…
Not saying you should read this piece on ÉL, maybe my favorite film by my favorite filmmaker, because I wrote it in my early 20s and it's a miracle I never took it down in embarrassment, but you SHOULD very much go see the new restoration @FilmForumNYC! https://t.co/IN0lQjkPQJ
RT @Slant_Magazine: Read our interview with Gints Zilbalodis about FLOW, composing the score for the film as he wrote the screenplay, and w…
