Articles
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3 weeks ago |
slantmagazine.com | Ed Gonzalez |Eric Henderson
In a 1999 interview with LA Weekly, Armond White said, “Spike [Lee] has become a first-rate marketer—he knows what a young audience wants, and he supplies it. Spike picks hot topics—basketball, interracial dating—but that doesn’t mean you break ground. Barbara Walters picks hot topics every day.
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1 month ago |
slantmagazine.com | Ed Gonzalez
The release date of Grand Theft Auto VI has been pushed more times than we can count. The reasons all make sense, but they couldn’t be any more startlingly clear than when they’re staring at you right in the face.
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1 month ago |
slantmagazine.com | Ed Gonzalez
Earlier this month, it was announced that Japan Society and Metrograph had partnered on a 30-film retrospective of Japanese master Naruse Mikio, the first major survey of his work to screen in New York in 20 years.
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1 month ago |
slantmagazine.com | Ed Gonzalez
When the Cannes lineup was announced last month, one of the more noticeable omissions was Spike Lee’s latest joint, Highest 2 Lowest, a “reinterpretation” of Kurosawa Akira’s 1963 masterpiece High and Low. Then, one hour later, Lee took to his Instagram to confirm that that the film would indeed premiere at the festival, in the out of competition sidebar, and alongside the final Mission: Impossible film.
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2 months ago |
slantmagazine.com | Ed Gonzalez
The marketing folk over at Sony are cheeky monkeys. When I saw the email this morning announcing the new trailer for Danny Boyle’s 28 Years Later, I was greeted by the desiccated face of the man who, in the film’s first trailer, was mistakingly reported to be that of Cillian Murphy. Did Jim from 28 Days Later become infected by the Rage virus?
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Not saying you should read this piece on ÉL, maybe my favorite film by my favorite filmmaker, because I wrote it in my early 20s and it's a miracle I never took it down in embarrassment, but you SHOULD very much go see the new restoration @FilmForumNYC! https://t.co/IN0lQjkPQJ
RT @Slant_Magazine: Read our interview with Gints Zilbalodis about FLOW, composing the score for the film as he wrote the screenplay, and w…
