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Eileen Jones

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Articles

  • Dec 2, 2024 | northernsoul.me.uk | Helen Nugent |Eileen Jones |Chris Wallis

    Five minutes in and I was ready to loathe this production. But once I got over the fact that The Borrowers is a political allegory like Animal Farm and should be treated seriously, and saw this more as a Christmas entertainment, I began to enjoy it.

  • Nov 25, 2024 | northernsoul.me.uk | Helen Nugent |Eileen Jones |Amy Stone |Chris Wallis

    Ah, The Three Musketeers. What can I say? I want lots, and I mean LOTS of sword fights, a very mean Cardinal Richlieu, a beautiful and scheming Milady, a diamond necklace, our three eponymous heroes and, central to it all, the gorgeous country bumpkin, terrific shagger and, um, expert swordsman D’Artagnan. With a great book, three movies and even a BBC radio dramatisation, Theresa Heskins’ own adaptation and production has a lot to live up to, and it nearly makes it.

  • Nov 23, 2024 | northernsoul.me.uk | Eileen Jones |Helen Nugent |Amy Stone |Robert Hamilton

    It had just started raining when I met The Brunette in the bar at Fenix. There was a slight tension in the air as our teams were playing each other later that day. I was also a little nervous because the scuttlebutt about this new Greek place was not good. The Brunette mentioned “all fur coat and no knickers”. Meanwhile, I’d read reports about other Manchester restaurants baulking at customers coming in with LED lights and tripods to produce Instagram food porn.

  • Nov 23, 2024 | northernsoul.me.uk | Eileen Jones |Helen Nugent |Amy Stone |Susan Ferguson

    The team at Manchester Literature Festival does a heck of a good job. The cynical might think it’s about shifting a load of hardback books, but MLF puts a great deal of thought into its authors and event hosts. Tonight was no exception.

  • Nov 23, 2024 | northernsoul.me.uk | Eileen Jones |Helen Nugent |Amy Stone |Robert Hamilton

    It was a cold, damp evening when I set off to Opera North’s revival of Benjamin Britten’s A Midsummer Night’s Dream at The Lowry. I’d heard that Britten’s opera was ‘difficult’, and my only encounter with Shakespeare’s play was the 1935 Hollywood version with James Cagney and Micky Rooney some years ago. Despite this, I was in an optimistic mood, excited to be back at the opera.

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