Elisabeth Vincentelli

3 days ago | nytimes.com | Elisabeth Vincentelli |Dana Golan

The Broadway rookie has a Tony nomination and star power, but inside she's still this "weird little girl."The Broadway rookie has a Tony nomination and star power, but inside she's still this "weird little girl."Credit... When Jasmine Amy Rogers learned that she had been nominated for a Chita Rivera Award, for outstanding dancer in a Broadway show, her first reaction was to laugh.

5 days ago | flipboard.com | Elisabeth Vincentelli

Netflix Thriller Hailed as One of the Best Action Movies Ever Made as It Speeds to Success on StreamingThe third and final movie in one of the most underrated action trilogies on Netflix is now speeding its way up the streaming charts just two days …

5 days ago | nytimes.com | Elisabeth Vincentelli

There's scorched earth with a little bit of hope in this month's sci-fi picks. Stream it on Netflix. "Time waits for no one," Akid (Beto Kusyairy) says. Except for him, that is. He comes from a family in which people can travel back to the past. The mechanics are fuzzy but there are some basic rules, including the necessity to accept the inevitability of some events, no matter how much you try to prevent them, and the harsh reality that time travel takes years off your life, making you age faster.

1 week ago | nytimes.com | Elisabeth Vincentelli

Anointed "the queen of British telly" overseas, the actress leads a series about Austen's prim older sister, who torched most of the writer's letters. Credit... Video by Clement Pascal Anointed "the queen of British telly" overseas, the actress leads a series about Austen's prim older sister, who torched most of the writer's letters. Credit... Video by Clement Pascal Being cast in the mini-series "Miss Austen" began Keeley Hawes's first venture into the Jane Austen-verse.

2 weeks ago | seattletimes.com | Elisabeth Vincentelli

In David Cronenberg’s latest film, “The Shrouds,” the lines between life and death, emotion and pathology, and biology and technology become blurred. Even the movie’s tone lands in a liminal space where gravitas slips into comedy — I couldn’t help but snicker when someone tells the main character, “Karsh, don’t crash!” A dry macabre humor has long run through Cronenberg’s work, and the uncertainty behind some of his intentions here creates thought-provoking ambiguity.