
Rachel Sherman
Senior News Assistant, Culture at The New York Times
soft skills | culture desk @nytimes | https://t.co/kVBg3annpI
Articles
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3 weeks ago |
s4745.pcdn.co | Rachel Sherman
Photo by Nina Westervelt for The New York TimesBy Rachel Sherman | New York TimesOn a rainy night on the Upper East Side, art world philanthropists, billionaire business moguls and New York socialites scurried under a canopy of umbrellas and into the newly restored Frick.
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3 weeks ago |
roselawgroupreporter.com | Rachel Sherman
Photo by Nina Westervelt for The New York TimesBy Rachel Sherman | New York TimesOn a rainy night on the Upper East Side, art world philanthropists, billionaire business moguls and New York socialites scurried under a canopy of umbrellas and into the newly restored Frick.
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3 weeks ago |
nytimes.com | Rachel Sherman
The season opens with the world premiere of Dan Schlosberg's "The Counterfeit Opera: A Beggar's Opera for a Grifter's City" (May 29-June 15), an adaptation of John Gay's comic "The Beggar's Opera" (1728). The lineup will also feature a new full-length work by the choreographer Bobbi Jene Smith, "Seven Scenes" (Aug. 22-28), with a score composed and performed live by Caroline Shaw and Danni Lee of Ringdown; a new song cycle, "The Lights," by Matthew Aucoin, set to poetry by Ben Lerner (Aug.
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3 weeks ago |
flipboard.com | Rachel Sherman
2 days ago"The Making of" LOVE'S GENTLE SPRING Cinematic Trailer!TICKETS ON SALE NOW! https://balletaustin.org/performances/loves-gentle-spring/ LOVE'S GENTLE SPRING (World Premiere) MAR.
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1 month ago |
nytimes.com | Rachel Sherman
Directed by Sam Yates and adapted by Simon Stephens, this one-man "Vanya" - in which Andrew Scott delivers a tour-de-force performance - arrives Off Broadway after a run in London, where it won an Olivier for best play revival. Though faithful to the original material, the production offers not just modern touches, but also "a new way of seeing into the heart of its beauty," our critic wrote. From Jesse Green's review:What makes the production exemplary, like the play itself, is the emotion.
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