Articles

  • 1 week ago | moviepudding.substack.com | Elissa Suh

    Earlier this year I saw Harmony Korine’s Baby Invasion at “new york’s largest independent music venue” presented by EDGLRD a one-night-only live remix edition. The main screen was flanked by two others, projecting alternate and additional footage—chopped, screwed, and distorted in real time by Korine himself, tucked away at a computer somewhere in our midst.

  • 3 weeks ago | moviepudding.substack.com | Elissa Suh

    If you follow me on Instagram, you know I just got back from Italy and that I’ve been in a mild shock since. Not because of a withdrawal from the country’s beauty (expected), or the food (also expected), but because of what happened after: I started cooking again, after a long rut, trying to recreate meals with varying degrees of success, less out of inspiration than hungry frustration. Getting one thing out of the way: the famously grotesque American portion size is myth in nyc.

  • 1 month ago | moviepudding.substack.com | Elissa Suh

    I'm in Europe—but not at Cannes (I'm keeping tabs on the festival through everyone I know here. The American movies are highly anticipated this year, not usually the case). I'm in Italy on a long-overdue honeymoon.

  • 1 month ago | bombmagazine.org | Elissa Suh

    Zeinabu irene Davis is a pioneering voice in independent Black cinema. A member of the influential UCLA “LA Rebellion” movement alongside filmmakers like Charles Burnett and Julie Dash, Davis has long used the medium to explore overlooked histories and underrepresented lives, particularly those of Black women.

  • 1 month ago | moviepudding.substack.com | Elissa Suh

    Next week is my birthday, which I will kick off as usual with a matinee. Rarely are there compelling new movies in early May, but this year it’s different. Today sees the release of three excellent films—Pavements, Vulcanizadora, Bonjour Tristesse—each pulling in wildly different directions. In today’s newsletter: I only have space to go deep on one, Durga Chew-Bose’s stunning directorial debut that I have been raving about since September.

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