
George Etheredge
Articles
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3 weeks ago |
nytimes.com | Brian Seibert |George Etheredge
Members of the Trisha Brown Dance Company rehearsing Merce Cunningham's "Travelogue" in costumes designed by Robert Rauschenberg. A Trisha Brown company tour recalls a time when Rauschenberg, one of the country's most influential artists, was changing and being changed by American dance. Members of the Trisha Brown Dance Company rehearsing Merce Cunningham's "Travelogue" in costumes designed by Robert Rauschenberg. Credit... It's not common for the set of a dance to have its own title.
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1 month ago |
nytimes.com | Brian Seibert |George Etheredge
In the Tony-nominated musical "Operation Mincemeat," five performers play a slew of roles. The choreography onstage and off is fast, elaborate and exacting. Credit... "Operation Mincemeat," a Tony Award nominee for best musical, tells the absurdly improbable true story of how a tiny group of misfits in British intelligence diverted the German army in World War II. It's a comic tale of a plan always on the verge of falling apart, and that's how it is represented theatrically.
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1 month ago |
nytimes.com | Anna Kodé |George Etheredge
The couple's lives are preserved in a SoHo building where for decades they plotted their monumental projects. Christo and Jeanne-Claude lived and worked in a five-story SoHo building that they purchased for $175,000. The couple's lives are preserved in a SoHo building where for decades they plotted their monumental projects. Christo and Jeanne-Claude lived and worked in a five-story SoHo building that they purchased for $175,000. Credit...
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2 months ago |
nytimes.com | Celia McGee |George Etheredge
New additions to Adriana Varejão's acclaimed "Plate" series are showing at the Hispanic Society Museum and Library, in her first solo museum exhibit in New York. The Brazilian artist Adriana Varejão has her first solo museum show in New York. "Adriana Varejão: Don't Forget, We Come From the Tropics" runs until June 22 at the Hispanic Society Museum and Library in Upper Manhattan. Credit...
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Mar 6, 2025 |
nytimes.com | Jason Farago |George Etheredge
A Berlin nightclub habitué of my acquaintance has admonished me, more than once, not to go to concerts or parties without earplugs; too many D.J.s now crank to dangerous decibels, so have your fun and save your hearing. I forgot his advice ahead of "Doom: House of Hope," an evening-length spectacle of attitude and abjection by the German artist and choreographer Anne Imhof, and may have developed tinnitus as a result.
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