
Graham Fuller
Editor at The Arts Desk
Editorial Associate at Cineaste Magazine
Editorial Associate at Cineaste; Film Editor at The Arts Desk
Articles
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3 weeks ago |
theartsdesk.com | Graham Fuller
Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskill Forest Preserve in upstate New York. A putative indie classic, writer-director India Donaldson’s psychologically acute feature debut focuses on a self-contained, observant young woman, Sam (Lily Collias), whose skepticism about hard-wired male attitudes grows exponentially over the weekend.
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4 weeks ago |
theartsdesk.com | Graham Fuller
Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of 1971’s Meddle, is having a new moment. Nick Mason’s Saucerful of Secrets released a sensational one-sided 12-inch vinyl version of the track on Record Store Day, April 12. Recorded at the Centennial Hall in Frankfurt last August, the 23.04-minutes single – which plays from the centre outwards – reached number six in the vinyl chart, dropped, and is rising again.
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4 weeks ago |
theartsdesk.com | Graham Fuller
Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of 1971’s Meddle, is having a moment. Nick Mason’s Saucerful of Secrets released a sensational one-sided 12-inch vinyl version of the track on Record Store Day, April 12. Recorded at the Centennial Hall in Frankfurt last August, the 23.04-minutes single – which plays from the centre outwards – reached number six in the vinyl chart, dropped, and is rising again.
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2 months ago |
theartsdesk.com | Graham Fuller
Horror comes in many forms. In writer-director Jed Hart’s feature debut Restless, it’s visited on middle-aged nurse Nicky (Lyndsey Marshal) by thirtyish Deano (Aston McAuley), the superficially affable toxic male who moves in next door with two mates and holds raves in their living room, “all night and every night”. A single mother whose son has just left for university, Nicky is pressed by her boss to work extra shifts at the understaffed care home for the elderly that employs her.
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2 months ago |
theartsdesk.com | Graham Fuller
Horror comes in many forms. In writer-director Jed Hart’s feature debut Restless, it’s visited on middle-aged nurse Nicky (Lyndsey Marshal) by thirtyish Deano (Aston McAuley), the superficially affable toxic male who moves in next door with two mates and holds raves in their living room, “all night and every night”. A single mother whose son has just left for university, Nicky is pressed by her boss to work extra shifts at the understaffed care home for the elderly that employs her.
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