The Arts Desk
Britain's inaugural fully online arts publication features insights from prominent critics and photographers. It covers a wide range of topics, including reviews of theatre, film, and stage performances, as well as new music releases, concerts, dance and opera debuts, visual arts shows, and highlights of popular TV programs.
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Articles
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6 days ago |
theartsdesk.com | Nick Hasted
The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012 Olympics have offered rich material for a film series about deserted cities, rampaging viruses, hard quarantines and an insular, afraid country hacked adrift from Europe.
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1 week ago |
theartsdesk.com | Graham Rickson
Michel Béroff: Complete Erato Recordings (Erato) My associating French pianist Michel Béroff with ‘modern’ music says more about my age than it does about Béroff’s actual specialities. If you were looking for Messiaen in an early 1980s record library you’d probably find his EMI LPs of Turangalîla, the Quatour pour la fin du Temps and the Vingt Regards sur l'Enfant-Jésus on the shelves, the last named a work which Béroff played extracts from to its composer in 1961, at the age of 11.
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1 week ago |
theartsdesk.com | Guy Oddy
Yungblud has declared his fourth album, Idols, to be a “a project with no limitations”. This is quite a claim. So, what musical wonders has Dominic Harrison created in collaboration with his team of producer Matt Schwartz, composer Bob Bradley and guitarist Adam Warrington? Perhaps a reggae infused mix of hardcore punk, techno and folk rock? Or maybe a delirious fusion of heavy metal, grime, be-bop and desert blues? Unfortunately, not.
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1 week ago |
theartsdesk.com | Guy Oddy
Yungblud has declared his fourth album, Idols, to be a “a project with no limitations”. This is quite a claim. So, what musical wonders has Dominic Harrison created in collaboration with his team of producer Matt Schwartz, composer Bob Bradley and guitarist Adam Warrington? Perhaps a reggae infused mix of hardcore punk, techno and folk rock? Or maybe a delirious fusion of heavy metal, grime, be-bop and desert blues? Unfortunately, not.
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1 week ago |
theartsdesk.com | Adam Sweeting
With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of the sport’s indisputable greats. Alain Prost doesn’t seem too fussed about bigging himself up on social media or reality TV (L’Île d’Amour perhaps), but he’s the only French racing driver to have won the Formula One world championship, a feat he accomplished four times between 1985 and 1993.
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