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Graham Rickson

Writer at The Arts Desk

Featured in: Favicon theartsdesk.com

Articles

  • 2 weeks ago | theartsdesk.com | Graham Rickson

    Akira Kurosawa described his 1961 hit Yojimbo as a tale of “rivalry on both sides, and both sides are equally bad… we are weakly caught in the middle and it is impossible to choose between the evils”. Toshiro Mifune’s nameless rōnin pitches up a run-down village purely by chance, tossing a stick in the air at a fork in the road to choose which direction to take.

  • 2 weeks ago | theartsdesk.com | Graham Rickson

    Vox Feminae: Works for voices, theorbo/tiorbino/ baroque guitar, bass viol, triple harp by Barbara Strozzi, Antonia Bemba and Hieryonymus Kapsberge Les Kapsber’girls/Albane Imbs (Alpha) What a complete transformation from one album to the next. The last one, Vous-avez dit brunettes? – did you say brunettes – (Alpha, 2021) opened tongue-in-cheek with the bleating and bells of a flock of sheep, then launching into occasionally over-theatrical songs about shepherds, love or drinking.

  • 1 month ago | theartsdesk.com | Graham Rickson

    One of The Barnabáš Kos Case’s incidental pleasures lies in its relatively accurate depiction of orchestral life. Much of the action in Peter Solan’s 1964 Slovak black comedy (originally title: Prípad Barnabáš Kos) takes place in a rehearsal studio, one filled with real, non-miming musicians. Actor Milivoj Uzelac, playing one of the conductors, was also a composer and actually looks convincing on the podium.

  • 1 month ago | theartsdesk.com | Graham Rickson

    Quartets Through a Time of Change: music by Ravel, Durey, Tailleferre and Milhaud Brother Tree Sound (First Hand Records) There are plenty – and I mean plenty – of recordings of the Ravel String Quartet, the majority, I would guess, paired with the Debussy Quartet, in what has become something of a programming cliché.

  • 2 months ago | theartsdesk.com | Graham Rickson

    Snow Dance for the Dead: Choral Music by Seán Doherty New Dublin Voices/Bernie Sherlock (Voces8 Recordings) I have come across the choral music of Seán Doherty increasingly recently and always liked what I have heard. His music is imaginative, wide-ranging and original, and all these things are evident in his debut disc with New Dublin Voices, under their enterprising conductor Bernie Sherlock.

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