
Articles
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1 week ago |
theartsdesk.com | Graham Rickson
Michel Béroff: Complete Erato Recordings (Erato) My associating French pianist Michel Béroff with ‘modern’ music says more about my age than it does about Béroff’s actual specialities. If you were looking for Messiaen in an early 1980s record library you’d probably find his EMI LPs of Turangalîla, the Quatour pour la fin du Temps and the Vingt Regards sur l'Enfant-Jésus on the shelves, the last named a work which Béroff played extracts from to its composer in 1961, at the age of 11.
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3 weeks ago |
theartsdesk.com | Graham Rickson
Antal Doráti in London: The Mercury Masters Vol. 1 (Decca Eloquence) A couple of recent YouTube videos show DG engineers hard at work remastering Karajan’s 1970s Bruckner and Mahler recordings for new vinyl LP pressings. The process looks tortuous, the multitracked master tapes painstakingly examined and reassembled, artificial reverb added using an empty stairwell.
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1 month ago |
theartsdesk.com | Graham Rickson
DEFA was East Germany’s state film studio, operating between 1946 and 1992. Among its vast output were four lavish science fiction adventures, released between 1960 and 1976 and shown here in gleaming new transfers. Each one, to varying degrees, depicts the future through a rose-coloured lens, the world evolving into a utopian socialist paradise where disputes are settled peacefully.
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1 month ago |
theartsdesk.com | Graham Rickson
Brahms: Lieder Christian Gerhaher (baritone), Gerold Huber (piano) (Sony) The concert I attended of Brahms Lieder in the Sheldonian Theatre in Oxford in October 2024, with Christian Gerhaher in fabulous voice and Gerold Huber at the peak of his craft was fabulous – five star review of that very special evening here. I was therefore overjoyed to discover only recently that they had made this recording of a very similar programme just one week before.
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1 month ago |
theartsdesk.com | Graham Rickson
Eureka’s second volume of Laurel and Hardy shorts catches the pair in 1928 on the cusp of their successful transition to the sound era, two of the 10 films originally released with synchronised sound effects and music. This works especially well in We Faw Down, though having another actor dub Stan’s laugh is disconcerting.
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