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Grant Phipps

Wisconsin

Film Editor at Tone Madison

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Articles

  • 1 week ago | tonemadison.com | Scott Gordon |Christina Lieffring |Grant Phipps |Steven Spoerl

    Tone Madison will be making some major changes this year. But we’re not going away, nor is our commitment to fiercely independent coverage of culture and politics in Madison. Co-founder Scott Gordon will step down from his role as Publisher and Editor-in-Chief on May 1. After taking some time off, Gordon will continue to contribute to the publication as a writer and reporter.

  • 2 weeks ago | tonemadison.com | Maxwell Courtright |David Boffa |Grant Phipps |Lewis Peterson

    Documentaries aren’t necessarily Tone Madison‘s eminent go-to for film coverage. Scan our most recent archives, and you’re bound to come across numerous pieces on classic genre films of several shades as well as historically important art-house fare, and even some modern experimental shorts or influentially transgressive pieces. Over the past year, we’ve tried to emphasize brand-new narratives that have popped up in commercial theaters.

  • 4 weeks ago | tonemadison.com | Grant Phipps |LakeFront Row

    Often, the most striking aspect of an experimental short film exists beyond the creative depth of the work itself. For viewers, it can be a reflexive thrill to regard the disparity between a written synopsis and the radical techniques an artist uses to visually and aurally convey their emotional state(s) or subvert our collective, conditioned concept of narrative.

  • 1 month ago | tonemadison.com | Grant Phipps |Lewis Peterson |Jason Fuhrman |Edwanike Harbour

    It’s that time of year again, when we try to find phrases that aren’t cliché to express the giddiness in expectantly turning the pages of the annual Wisconsin Film Festival (WFF) guide.

  • 2 months ago | tonemadison.com | Grant Phipps |LakeFront Row

    Listen to writer-director Nathan Deming speak about his work for just a minute, and you’ll grasp how he humbly wants his characters to find commonalities even in the trickiest of situations. He has positioned them in a formidable cinematic micro-universe, an undertaking partly inspired by Krzysztof Kieślowski’s Dekalog miniseries (1989).

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