
Articles
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3 weeks ago |
tonemadison.com | Grant Phipps
This is our newsletter-first column, Microtones. It runs on the site on Fridays, but you can get it in your inbox on Thursdays by signing up for our email newsletter. Despite being the film editor of this publication, I have the deepest fascination with sound and music, driven by a compulsion to ascertain all that I can through recorded audio.
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1 month ago |
tonemadison.com | Grant Phipps |Sara Batkie
The comedown after the Wisconsin Film Festival can hit hard. Some of us may need to take a few days off from the movie binge to collect their thoughts and jot down some rousing notes or experiential rankings. Then again, others may want to continue chasing that marathon-viewing high the annual event in April fosters and head right back to the theaters. One thing is universal, though: a desire for discussion.
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1 month ago |
tonemadison.com | Grant Phipps
Oversized fluorescent lights of a vanity mirror strobe over potted cacti and a preserved arachnid. Vertical streaks of opaque, multi-colored glass shimmer like a spectral curtain before dissipating into an obscured glimpse at lower bodies in leather boots shuffling across a dive-bar floor.
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1 month ago |
tonemadison.com | Scott Gordon |Christina Lieffring |Grant Phipps |Steven Spoerl
Tone Madison will be making some major changes this year. But we’re not going away, nor is our commitment to fiercely independent coverage of culture and politics in Madison. Co-founder Scott Gordon will step down from his role as Publisher and Editor-in-Chief on May 1. After taking some time off, Gordon will continue to contribute to the publication as a writer and reporter.
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2 months ago |
tonemadison.com | Maxwell Courtright |David Boffa |Grant Phipps |Lewis Peterson
Documentaries aren’t necessarily Tone Madison‘s eminent go-to for film coverage. Scan our most recent archives, and you’re bound to come across numerous pieces on classic genre films of several shades as well as historically important art-house fare, and even some modern experimental shorts or influentially transgressive pieces. Over the past year, we’ve tried to emphasize brand-new narratives that have popped up in commercial theaters.
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