
Lewis Peterson
Articles
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3 weeks ago |
tonemadison.com | Maxwell Courtright |David Boffa |Grant Phipps |Lewis Peterson
Documentaries aren’t necessarily Tone Madison‘s eminent go-to for film coverage. Scan our most recent archives, and you’re bound to come across numerous pieces on classic genre films of several shades as well as historically important art-house fare, and even some modern experimental shorts or influentially transgressive pieces. Over the past year, we’ve tried to emphasize brand-new narratives that have popped up in commercial theaters.
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1 month ago |
tonemadison.com | Grant Phipps |Lewis Peterson |Jason Fuhrman |Edwanike Harbour
It’s that time of year again, when we try to find phrases that aren’t cliché to express the giddiness in expectantly turning the pages of the annual Wisconsin Film Festival (WFF) guide.
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Jul 8, 2024 |
tonemadison.com | Lewis Peterson
Part of the pain of adolescence is realizing that the formalities of the adult world are mostly bullshit, and that the adults in it are perpetuating nonsensical rules out of habit, fear, or desire for personal gain. Another part of that pain stems from trying out new behaviors, identities, and ways of being just to see what sticks, despite potential pushback from your peers and authority figures.
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Apr 1, 2024 |
tonemadison.com | Lewis Peterson
Romanian writer-director Radu Jude’s latest internet-informed satire, Do Not Expect Too Much From The End Of The World (2023), recognizes both the weight of the past and the fact that only the current moment is relevant. The film strikes back at the proliferation of “content” by trying to subsume it into the history of cinema, rather than the reverse. Commercialism and the manipulation of “documentary” images have been present since the birth of the art form.
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Feb 6, 2024 |
tonemadison.com | Lewis Peterson
Dating back to the advent of sound, the musical melodrama is one of the longest running genres that taps into the fantastical potential of the movie medium. This weekend, on Friday, February 9, and Saturday, February 10, at 7 p.m., UW Cinematheque is offering two iterations of that tradition in Emilio Fernández’s Victims Of Sin(1951) and Francis Ford Coppola’s One From The Heart Reprise(1982/2024).
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