
Hettie Judah
Critic, Writer and Editor at Freelance
Writer, curator Recently: Acts of Creation: On Art and Motherhood Lapidarium: The Secret Lives of Stones How Not to Exclude Artist Mothers (and other parents)
Articles
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4 weeks ago |
msn.com | Hettie Judah
Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.
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4 weeks ago |
theguardian.com | Hettie Judah
Grayson Perry is fascinated by outsiders – outcasts, nonconformists, the marginalised and the deviant. He has frequently assumed the outsider position, delivering commentary on class, gender and Britons’ petty snobberies. Across his career, he has pronounced on how his medium of choice (ceramics), his crossdressing, or his engagement with popular culture have excited the disapproval of cliques including the art world.
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1 month ago |
theartnewspaper.com | Anna Brady |Hettie Judah |Andrew Pulver |Ben Luke
Parenting is a messy business. And it is that chaos that is the theme of Sorry About the Mess, a show of more than 20 artists and writers who are mothers, taking place in Meta’s former offices at 125 Shaftesbury Avenue, London. “The idea of mess and motherhood within an inhospitable office environment just felt so right,” says Millie Walton, who organised the exhibition.
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2 months ago |
theguardian.com | Hettie Judah
After lauded outings in LA and Philadelphia, Mickalene Thomas arrives at the Hayward Gallery with a roar. It’s the roar of a wrestler’s body-slam or a diva’s ovation – throaty, triumphant, immoderate. Thomas’s exhibition is all that, and glamorous too, opening with a room of monumental portraits of black women. All are painted on panels with rounded corners – no frame is enclosing these women. Working from staged photographs and found images, Thomas’s compositions are hymns to excess.
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2 months ago |
apollo-magazine.com | Ed Behrens |Samuel Reilly |Michael Delgado |Hettie Judah
In this issue How pastels caused a stir in 18th-century ParisCimabue, the first light of the RenaissanceWhen Rubens was king of his own castleWill US tariffs threaten the art market? Also: American museums and the culture wars, in defence of eccentrics, the retro pleasures of Viennetta, Italy’s answer to Versailles; reviews of Orphism in New York and medieval women in London, John Singer Sargent’s favourite family, and the only Disney character who was ever funny.
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"In its very title 'The Imaginary Institution of India'" suggests nation-building as a creative enterprise, one that calls on the lively minds of poets, playwrights, musicians and artists, not just politicians and bureaucrats." ***** https://t.co/QVeEbVm1gs

RT @gavhiggins: Why are we constantly told working-class people can’t enjoy theatre/classical music/art galleries?! As a working-class pers…

RT @tabithasoren: Let me show you some MORE of the hard working artists in ACTS OF CREATION, the exhibition and brainchild of @HettieJudah…