
Hugh Morris
Writer, Culture Journalist and Critic at Freelance
Journalist at VAN Magazine
@vanmusicmag editor and writer elsewhere. Loves a typo / views: model's own. [email protected]
Articles
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2 weeks ago |
van-magazine.com | Hugh Morris
Contracts seen by VAN show that the management of Northern Ballet has inserted a confidentiality clause into the agreements for its freelance musicians. To continue reading, subscribe now. Unlimited access to ourweekly issues and archives.
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3 weeks ago |
van-magazine.com | Hugh Morris
On May 26, Art Not Arms posted an open letter to Kings Place, the London classical music venue and conference center, that called for the cancellation of the upcoming Defence in Space Conference in October. This conference is sponsored by arms manufacturer Lockheed Martin. The open letter noted that Lockheed Martin is involved in the production of F-35 fighter jets currently being used by the Israeli military in Gaza.
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3 weeks ago |
thewire.co.uk | James Hadfield |Matt Krefting |Abi Bliss |Hugh Morris
July 2025 Subscribers: read this issue online. Subscribe to the magazine. Buy issue 497. Inside our brand new issue: Haruomi Hosono: The exotica explorer and YMO founder has found his voice in a late career renaissance. By James Hadfield.Plus: Japanese exotica: A user’s guide by David Toop Bromp Treb: Film maker and musician Neil ‘Cloaca’ Young has learned from the possibility of failure.
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1 month ago |
van-magazine.com | Hugh Morris
Phoning in from Frankfurt—he’s there getting a visa ahead of his conducting debut at La Scala—Kazuki Yamada radiates positivity down the Zoom call. An extremely popular conductor in Birmingham, where he is currently City of Birmingham Symphony Orchestra’s music director and artistic advisor, it was recently announced that Yamada would succeed Robin Ticciati as the Chief Conductor and Artistic Director of the Deutsches Symphonie-Orchester Berlin, beginning in 2026.
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1 month ago |
van-magazine.com | Hugh Morris
Both Catherine Lamb and I arrive for our interview in a west Berlin park slightly distracted, and the universe works to make us more so. First, a bird in a bush behind our bench insists on everyone hearing its loud, virtuosic song; we swiftly relocate to the grass in the middle of the square. Then, a man approaches us asking for water for his dogs; we give it to him, he leaves, and we try to carry on where we left off.
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