
Iona C. Smith
Articles
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Apr 25, 2024 |
journals.plos.org | Simon Packer |Iona C. Smith |Cong Chen |Piotr Patrzylas
Loading metrics Open Access Peer-reviewedResearch Article Citation: Packer S, Patrzylas P, Smith I, Chen C, Wensley A, Nsonwu O, et al. (2024) COVID-19 cluster surveillance using exposure data collected from routine contact tracing: The genomic validation of a novel informatics-based approach to outbreak detection in England. PLOS Digit Health 3(4): e0000485.
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Oct 14, 2023 |
ghoulsmagazine.com | Iona C. Smith
I can sometimes go months without having a panic attack. Unfortunately, this means that when they do happen, they often feel like they come out of nowhere. They can come on so fast and hard it’s like being hit by a bus, my breath escapes my body, and I can’t get it back. My mind goes fuzzy, I lose grip on reality, and I cry uncontrollably from sheer terror.
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Sep 24, 2023 |
ghoulsmagazine.com | Iona C. Smith
It would be incredibly unfair to review the documentary Otto Baxter: Not a F***ing Horror Story without also looking at the short horror created by the titular man himself, The Puppet Asylum. Otto has proven himself to be a thoughtful and effective storyteller in this compelling and effortlessly funny horror tale of his own birth, and the constant battle against the sinister Master (Paul Kaye), a metaphor for the consistent persecution that Otto has faced throughout his own life.
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Sep 23, 2023 |
ghoulsmagazine.com | Iona C. Smith
In the late seventies and early eighties, one man was considered the curator of all things gore in America. During the lovingly named splatter decade, Tom Savini worked on masterpieces of blood and viscera like Dawn of the Dead (1978), a film which gained the attention of hopeful director William Lustig, a man only known for making pornography before his step into horror.
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Sep 15, 2023 |
ghoulsmagazine.com | Iona C. Smith
Otto Baxter: Not a F***ing Horror Story is a beautifully constructed documentary that is real, honest and brutal about the world’s perceptions of people with Down’s Syndrome, through the eyes of someone who has it, whilst maintaining a comic undertone of wholesome affection.
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