Articles

  • 1 week ago | whitehotmagazine.com | J. Scott Orr |Scott Orr

    By J. SCOTT ORR May 27, 2025Vincent Valdez, the 48-year-old Chicano artist whose canvases read like visual testimony from America's shadow zones, is stepping up at precisely the moment when artists across the nation are ducking for cover. As culture wars rage and dark powers threaten artistic freedom, Valdez offers monumental paintings that refuse to let America forget its most uncomfortable truths.

  • 2 weeks ago | observer.com | J. Scott Orr

    Juan Carlos Pinto holds a MetroCard portrait of Nina Simone. Photo by Jamie LubetkinThe Metropolitan Transportation Authority’s recent announcement that it will stop selling the iconic yellow MetroCards by Dec. 31 came as heartbreaking, though not unexpected, news to a small but passionate community of artists who use the credit-card-sized passes to create surprisingly engaging works of creativity.

  • 1 month ago | whitehotmagazine.com | J. Scott Orr |Scott Orr

    By J. SCOTT ORR May 8, 2025As auction houses hemorrhage staff and mid-tier galleries fold weekly, Frieze New York 2025 emerges as a battleground where art must justify its existence in an age of economic contraction and emergency. This year's edition—scaled back but intellectually ferocious—abandons market cheerleading for something more urgent: a reminder of art's capacity to translate catastrophe into meaning.

  • 2 months ago | observer.com | J. Scott Orr

    The newly discovered portfolio of Mapplethorpe photographs on a table during a private showing at Giorno Poetry Systems in Manhattan’s Lower East Side. Photo by Lisa FreemanIn a radical collision of high art and leather-bound taboo, a cache of never-before-seen Robert Mapplethorpe S&M photographs has surfaced in New York City, bringing with it all the swagger and controversy that defined the photographer’s boundary-shattering legacy.

  • 2 months ago | whitehotmagazine.com | J. Scott Orr |Scott Orr

    By J. SCOTT ORR March 26, 2025The Frick Collection—that jewel box of masterworks nestled within the former Manhattan residence of Gilded Age industrialist Henry Clay Frick—has emerged from a five-year slumber, transformed through a $220 million renovation that deftly balances historical reverence with contemporary function. The museum reopens its doors on April 17, returning Bellini, Rembrandt, Vermeer, Whistler, Goya and the rest to the domesticity of their rightful Upper East Side home.

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