Articles

  • Aug 15, 2024 | video.startribune.com | Phil Morris |Kavita Kumar |Jackie Thomas-Kennedy

    Featured Videosnow playingAfter a stroke, this musician found his singing voice again with help from a special choir02:23Heavy T-storms may drop 1-2" of rain on southern Minnesota (including metro) tonight00:55Quake felt from L.A. to San Diego02:16Weather perfection into Wednesday morning, then midweek showers and T-storms return

  • Aug 15, 2024 | startribune.com | Jackie Thomas-Kennedy |Jo Hamya

    BooksFICTION: Jo Hamya’s novel unspools at an expert pace, exploring questions of performance and narrative. Jo Hamya (Sophie Davidson/Pantheon)Jo Hamya’s “The Hypocrite” toggles primarily between the perspectives of Sophia, a 28-year-old playwright in London, and her father, a famous writer who is referred to, pointedly, only as “Sophia’s father.”While her father attends a matinee of Sophia’s play, she sits above him at a rooftop restaurant, enduring a tense lunch with her mother.

  • Aug 7, 2024 | washingtonpost.com | Jackie Thomas-Kennedy

    Review by Jackie Thomas-KennedyAugust 7, 2024 at 12:42 p.m. EDTArtificial intelligence already plays a role in various daily transactions; to imagine that it will become truly omnipresent is not much of a stretch. To saturate a novel with the implications of such omnipresence is a different task. In “Hum,” Helen Phillips presents potential outcomes in measured, elegant, chilling prose.

  • Jul 17, 2024 | startribune.com | Sarah Manguso |Jackie Thomas-Kennedy

    Sarah Manguso's "Liars" — gorgeously written, eminently readable — is the study of a marriage. Narrator Jane, a writer, marries John Bridges, an aspiring artist with sporadic professional success. Jane examines her relationship with ruthless clarity and minute detail; the effect is of a report. She documents John's many failures — to do housework; to pay bills; to complete projects; to consider her — with a reserve that reflects how accustomed she has become to their incompatibility.

  • Mar 27, 2024 | startribune.com | Alexandra S. Tanner |Jackie Thomas-Kennedy

    Within the first few pages of Alexandra Tanner's dark, funny debut, sisters Poppy and Jules exhibit their capacity to indulge in the titular word. As a verb, it is among their central activities: They interrogate the source of Poppy's hives, the cleanliness of a restaurant, their parents' willingness to subsidize their lives in New York.