
Jane Giles
Articles
-
3 weeks ago |
bfi.org.uk | Alex Davidson |Giovanni Marchini Camia |Jane Giles
In this playful performance film, Icelandic singer Emilíana Torrini performs a set of songs inspired by a collection of real-life 1960s love letters discovered after the recipient’s death in 2018. 11 May 2025In an era when romantic missives have shrunk to the late-night ‘U up?’ text, it’s easy to see how a suitcase of elaborate love letters from the 1960s and 70s fired the imagination of singer Emilíana Torrini.
-
4 weeks ago |
bfi.org.uk | Alex Davidson |Giovanni Marchini Camia |Jane Giles |Adam Nayman
Director Andrew Ahn’s endearing and significantly queerer update of Ang Lee’s rom com hit lets its LGBTQ+ characters behave badly, and is all the better for it.
-
4 weeks ago |
bfi.org.uk | Giovanni Marchini Camia |Alex Davidson |Jane Giles |Adam Nayman
The French director’s mid-length homage to his own filmmaking presents a funny and provocative collage of cinema history, politics, and artistic introspection. 8 May 2025The title of Leos Carax’s It’s Not Me is, of course, tongue-in-cheek.
-
1 month ago |
bfi.org.uk | Jane Giles |Adam Nayman |Kim Newman |Catherine Wheatley
Like Visconti’s erotically charged directorial debut Ossessione (1943), Motel Destino can in part be seen as a loose version of James M. Cain’s novel The Postman Always Rings Twice (1934). Director Karim Aïnouz sets the action in the province where he was born, Ceará on the north-eastern coast of Brazil; together with cinematographer Hélène Louvart (Pina, 2011; Rocks, 2019; La chimera, 2023) he portrays an equatorial landscape fundamental to the film’s story.
-
2 months ago |
dmovies.org | Eoghan Lyng |Bruce LaBruce |Ali Catterall |Jane Giles
In what opens like a scene from Citizen Kane (Orson Welles, 1942), a man in the face of death takes the time to ask what his life is all about. By peering through the Super 8 footage, he sees the aspects of his existence that challenged, shaped and surprised him, complete with naked bodies. Throughout the film, the character and the audience have to ask, where does memory end and mythology begin? And why is a memoir more potent than a dream?
Try JournoFinder For Free
Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.
Start Your 7-Day Free Trial →