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1 week ago | 
family.style | Jane Lewis
Set within Oliver Gustav’s neoclassical 1920s studio in central Copenhagen, a minimal yet tactile display unites the visions of the Danish designer with Michèle Lamy. Their collaborative exhibition, titled, “Staging,” is an industrial exploration of material and spatial experimentation, which debuted last week ahead of the city’s famed Three Days of Design, which runs through this Friday.
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2 weeks ago | 
family.style | Jane Lewis
Small air bubbles glitter inside an asymmetrical smoke-colored glass slab that sits atop a black steelbase. This coffee table is part of Maiden Home’s Rene Collection, which also includes a side table, and a drink table. The collection’s debut coincides with the announcement of Maiden Home’s new Miami flagship store, which is set to open this summer in the city’s burgeoning design district.
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2 weeks ago | 
family.style | Jane Lewis
A double bed with rumpled sheets and scattered pillows sits at the center of a room painted pink in the late artist Hollis Sigler’s 1999 painting, It’s The Hardest Part of Life...Leaving. Depicted in oil pastels and framed by wood inscribed with poetry, the room appears lived in and freshly unkempt. Signifiers of life hint at the occupant’s identity: a rotary phone, red high heels, and a paint palette strewn across a blue carpet.
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3 weeks ago | 
family.style | Jane Lewis |Naomi Otsu
FashionLVMH names Jonathan Anderson the sole creative director of Dior after Maria Grazia Chiuri’s abrupt departure. FashionOne hand behind her back as if Joan of Arc, and the other clutching her chest. Cast out, she banishes a stone to the sky: A second moon, it governs her. Elemental and controlled. She is the calm before—waves like horses, a great gust of wind. CultureLightning strikes for legendary graphic designer Paula Scher when she least expects it—or when she opts to take the wrong turn.
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3 weeks ago | 
family.style | Jane Lewis
Jonathan Anderson makes history with his appointment as the sole creative director of Christian Dior. The first designer to exclusively helm the luxury brand since the eponym himself, Anderson will create 10 annual collections a year across womenswear, menswear, and haute couture. This follows the Northern Irish designer’s recent departure from Loewe, where he transformed the small Spanish brand into a multi-billion dollar powerhouse over his 11 year tenure.
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1 month ago | 
family.style | Jane Lewis |Naomi Otsu
When it comes to making both art and food, Callum Su’s approach is rooted in memories of love and care from his childhood. Themes of nostalgia permeate all aspects of Su’s work, from portraiture inspired by birthday cards to home-made dumplings reminiscent of helping his mom as a child. “Whenever I visit my mum in Manchester, she packs over 60 in a freezer bag for me,” the London-based photographer tells Family Style.
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1 month ago | 
family.style | Jane Lewis |Naomi Otsu |Hamzat Incorporated
Ball lightning is a rare meteorological phenomenon resembling an orb of electricity observed during thunderstorms. Empirically, it’s hard to study because it disappears in a flash, hissing as it passes through walls and ceilings before it disappears with a bang. Such an object is the stuff of a stone sculptor’s dreams. It does more than just take up space; it challenges it. Enshrouded in mystery and propelled by self-determination, Barry X Ball’s trajectory mirrors such an enigma.
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1 month ago | 
family.style | Jane Lewis |Naomi Otsu
Two women face each other on the tennis court: One in a pleated skirt and a zip-up collared jacket, the other in a ribbed tank top and skirt set. Both are dressed in all white, save for Gucci’s signature red and green stripe that lines the edge of every garment. In the brand’s campaign for its just-launched tennis collection, the players are filmed expertly swinging their arms, sprinting across the court, and serving—however neither are holding rackets or balls.
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1 month ago | 
family.style | Jane Lewis |Qingyuan Deng |Elisa Lipsky-Karasz |Nathan Klein
Winter 2024 Art CommissionsFebruary 14, 2025 8:00 AMThere is a private, far away world that artists return to time and time again. Its parameters, molded in childhood and chiseled away in practice. Like the natural landscape, it is always shifting, eroding, and regenerating anew. We can see it, too, eyes closed: a snow capped mountain, an ancient organism, our body, cosmic. Eyes open, gaze fixed, it is a coil on a vine, a statue, light streaming from a window.
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1 month ago | 
family.style | Qingyuan Deng |Jane Lewis |Elisa Lipsky-Karasz |Sahir Ahmed
When I meet Oliver Osborne at Francis Irv on a rainy afternoon in May for coffee, I am immediately struck by the degrees of self-trust he has in his practice. “The history of painting in England does not interest me,” the Edinburgh-born artist replies when I ask him where he draws influence. Osborne is a painter who is always looking elsewhere.
