
Jason Shawhan
Journalist at Nashville Scene
Media prophet. Film critic. Cohost of @JJLpodcast . Catsitter. Very Gay. DJ (https://t.co/iAHxgygd8b). (He/Him). Black lives matter. http://jshawhan.bsky.soc
Articles
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3 weeks ago |
nashvillescene.com | Jason Shawhan
Playing 8 p.m. Sunday, April 27, at Marathon Music WorksYou might think you’ve never heard Alison Moyet, but regardless of your own aesthetics and means of engaging with music, that’s probably not the case. That would be putting aside more than four decades of elegant, passionate performances from an international icon based in the U.K. who’s had the occasional American success.
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3 weeks ago |
nashvillescene.com | Jason Shawhan
When you spend a lot of time immersed in the work of a particular filmmaker, you can find yourself fitting patterns and finding through lines across decades. And it can be great, because you feel like you’re defining a commonality that allows everything to make sense according to some easily summarized plan.
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4 weeks ago |
nashvillescene.com | Jason Shawhan
For a film that so expertly captures the sun-blasted anomie of Southern California and its habit of desaturating whatever shades and emotions trespass into its path, it’s the bookending moments in labyrinthine, verdant gardens that shape the emotional space we find ourselves in. One of the greatest and most difficult-to-see films of the 1970s, Play It as It Lays is finally receiving its laurels in the form of a 4K restoration, with four upcoming screenings at the Belcourt.
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1 month ago |
nashvillescene.com | Jason Shawhan
Join us for a brief journey through some of what’s new and interesting in the world of physical media, from sexploitation classics and lost films maudits to historical moments in American cinema. The Keep (Vinegar Syndrome UHD/Blu-ray)The fact that this even exists is still staggering.
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1 month ago |
nashvillescene.com | Jason Shawhan
There is a very specific kind of horror performance that makes legends — an insecure and uncertain character portrayed with the kind of sure hand that only an actor’s complete confidence in the film can yield. The apotheosis of this kind of turn is Crispin Glover in Friday the 13th: The Final Chapter, but you’ll also see it in Hank Harris in Hellbent, Stephen Geoffreys in Fright Night or Nicolas Cage in Vampire’s Kiss.
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RT @NashvilleScene: From senior film critic @jshawhan: A meditation on 1972’s underappreciated ‘Play It as It Lays,’ screening this weekend…

RT @MxInevitable: Always thinking about how Reagan ran a campaign of ruthless violent harassment of postal workers to destroy their lives a…