
Jason Shawhan
Journalist at Nashville Scene
Media prophet. Film critic. Cohost of @JJLpodcast . Catsitter. Very Gay. DJ (https://t.co/iAHxgygd8b). (He/Him). Black lives matter. http://jshawhan.bsky.soc
Articles
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1 week ago |
nashvillescene.com | Jason Shawhan
For a film that so expertly captures the sun-blasted anomie of Southern California and its habit of desaturating whatever shades and emotions trespass into its path, it’s the bookending moments in labyrinthine, verdant gardens that shape the emotional space we find ourselves in. One of the greatest and most difficult-to-see films of the 1970s, Play It as It Lays is finally receiving its laurels in the form of a 4K restoration, with four upcoming screenings at the Belcourt.
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2 weeks ago |
nashvillescene.com | Jason Shawhan
Join us for a brief journey through some of what’s new and interesting in the world of physical media, from sexploitation classics and lost films maudits to historical moments in American cinema. The Keep (Vinegar Syndrome UHD/Blu-ray)The fact that this even exists is still staggering.
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3 weeks ago |
nashvillescene.com | Jason Shawhan
There is a very specific kind of horror performance that makes legends — an insecure and uncertain character portrayed with the kind of sure hand that only an actor’s complete confidence in the film can yield. The apotheosis of this kind of turn is Crispin Glover in Friday the 13th: The Final Chapter, but you’ll also see it in Hank Harris in Hellbent, Stephen Geoffreys in Fright Night or Nicolas Cage in Vampire’s Kiss.
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3 weeks ago |
nashvillescene.com | Jason Shawhan
It is not an exaggeration to say that Knoxville’s Big Ears Music Festival is one of the most impressive in the world, and most certainly one of the coolest things that happens annually in the state of Tennessee. There is such an overwhelming array of performers, styles and experiences available that you could talk to 10 people in attendance and it’s possible none of their concerts would overlap.
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4 weeks ago |
nashvillescene.com | Jason Shawhan
Jérémie (Félix Kysyl) is an interesting fellow. He’s got one of those faces that seems reminiscent of several different people at the same time (in this case, young Edward Furlong, Rainer Werner Fassbinder and Snakeman), and he has the very relatable condition of not being able to access or express exactly what it is he wants from life and others. He responds to kindness and loss, and he has some degree of moral study or experience that has stuck with him throughout his life.
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RT @NashvilleScene: From senior film critic @jshawhan: A meditation on 1972’s underappreciated ‘Play It as It Lays,’ screening this weekend…

RT @MxInevitable: Always thinking about how Reagan ran a campaign of ruthless violent harassment of postal workers to destroy their lives a…