Jazz Tangcay

1 day ago | variety.com | Jazz Tangcay

What happens when the top YouTuber in the world, Jimmy Donaldson aka MrBeast, hosts a competition show and is in Emmy consideration for outstanding reality competition series and host? Kids of all ages and adults line up for hours beforehand at the Television Academy’s HQ in North Hollywood, waiting to get into the room for Prime Video’s FYC for “Beast Games.” And almost three hours later, they wait for a meet and greet with one of the biggest celebrities in the world.

1 day ago | variety.com | Jazz Tangcay

The mission to re-open Hollywood’s ArcLight Cinemas and the historic Cinerama Dome continues. On Thursday morning, Los Angeles’ Office of Zoning Administration held a public hearing regarding both the theater complex and the upcoming Blue Note Jazz Club. The hearings were to allow the sale and dispensing of a full line of alcoholic beverages for onsite consumption within the complex.

1 day ago | aol.com | Jazz Tangcay

The mission to re-open Hollywood’s ArcLight Cinemas and the historic Cinerama Dome continues. On Thursday morning, Los Angeles’ Office of Zoning Administration held a public hearing regarding both the theater complex and the upcoming Blue Note Jazz Club. The hearings were to renew the permit that allows the sale and dispensing of a full line of alcoholic beverages for onsite consumption within the complex.

1 day ago | variety.com | Jazz Tangcay

Episode 5 of Netflix’s “Monsters: The Lyle and Erik Menendez Story” was shot in one take. It’s one of several standout episodes in this Emmy season that are delivered as a “one-take” or a “oner.” Netflix’s nine-part series follows the real-life events of the Menendez brothers, Lyle (Nicholas Alexander Chavez) and Erik Menendez (Cooper Koch), who were convicted of murdering their parents in 1989. “The Hurt Man” episode was written by the show’s co-creator, Ian Brennan, and focuses on Erik.

2 days ago | variety.com | Jazz Tangcay

Cinematographer Adam Bricker has been shooting episodes of Netflix’s “Chef’s Table” for over a decade. Back then, the steamer was the first to push content out in 4K and later HDR. And so from the get-go, Bricker needed the right cameras to capture whatever he was shooting: “We’ve always used Red cameras because they had the right resolution, the right size for these small kitchens.