
Articles
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3 weeks ago |
artreview.com | Jenny Wu
Ecclesia (The Meeting of Inheritance and Horizons) (2024) is at once spiritual and secular, a mélange of carefully constructed illusionsApart from the Jersey City-based artist’s career-defining 2018 portrait of former first lady Michelle Obama, most of the four dozen single-panel paintings in Amy Sherald’s midcareer survey American Sublime capture fleeting moments in the daily life of everyday Black Americans.
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4 weeks ago |
artreview.com | Jenny Wu
From the rise of ‘red-chip’ artists to exhibitions of underground comics, the values of the traditional artworld are being challenged and reshaped In early April, I caught the tail end of Doki Doki Tutu’s Delivery Service!! at Tutu Gallery, an apartment gallery in Bed-Stuy. The work that drew me into the two-person show was Brooklyn-based artist Amos Kang’s 3D-printed sculpture Bella Boo (2024), a cockroach the size of a small dog with the head of a cartoon girl, dark brown hair and red irises.
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1 month ago |
artreview.com | Jenny Wu
The latest edition in Coachella Valley frames its largescale artistic commissions as social and emotional ‘service stations’A sonorous voice, issuing from an audio player that forms part of Alison Saar’s Soul Service Station (all works 2025), her contribution to the biennial Desert X, recites a poem about overcoming road rage, desperation and anxiety. “Feeling down?” the voice intones over soothing instrumentals. “Time to feel up.
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1 month ago |
artreview.com | Nirmala Devi |Jenny Wu |Louise Benson
Our editors on the exhibitions they’re looking forward to this month, from the Venice Architecture Biennale to Gallery Weekends in Berlin and Beijing19th Venice Biennale of Architecture: Intelligens. Natural. Artificial.
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1 month ago |
artreview.com | Jenny Wu
With their semi-covert political messaging, could Anne Imhof’s DOOM and Alex Tatarksy’s Sad Boys act as a blueprint for future activist art? For three hours a night, for over a week in early March, German multidisciplinary artist Anne Imhof made valiant attempts, as part of her latest gesamtkunstwerk, DOOM: House of Hope (2025), to mould the atmosphere of the Park Avenue Armory’s Wade Thompson Drill Hall as her material.
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