ArtReview

3 weeks ago | artreview.com | Louise Benson

From Carol Rhodes’s cool aerial views to the voyeuristic animal fantasy of Amanda Moström, our editors select shows to see during London Gallery WeekendHarley Weir: The GardenHannah Barry, through 13 SeptemberHarley Weir got her start as a teenager after posting photographs on online photo sharing platform Flickr. Her images of friends and family were taken on cheap analogue cameras and often featured accidental light leaks and colour bleeds.

3 weeks ago | artreview.com | Jenny Wu

An exhibition made in the afterimage of Bernadette Corporation adopts ‘sloppiness’ as a brazen curatorial strategy that fails to coalesceAfter Frieze Week I had no desire to leave my apartment, so I read a couple of novels in bed.

3 weeks ago | artreview.com | Oliver Basciano

The 14th edition, Estalo, postponed following the 2024 flooding of Porto Alegre, considers ideas of the world in overloadFor a while now there has been a glitchy band appearing on my laptop screen. It comes and gloats over my impending misfortune before disappearing just as mysteriously. It is, I know, the harbinger of my computer’s death. One might take the odd, increasingly frequent glitches in the weather as signalling something similar. In 2024 Porto Alegre, in the south of Brazil, flooded.

3 weeks ago | artreview.com | Nirmala Devi |J.J. Charlesworth |Oliver Basciano

Our editors on the exhibitions they’re looking forward to this month, from Wolfgang Tillmans and Momentum 13 to Marina Tabassum’s Serpentine PavilionMarina Tabassum: A Capsule in TimeSerpentine Pavilion, London, 6 June–26 OctoberNormally, like a fly that a small child has stripped of its wings, when architecture becomes part of the content of a museum or gallery it does so to die.

4 weeks ago | artreview.com | Terry Nguyen

Steyerl challenges us to recognise the vast scale of AI’s ubiquity and also to realise its ‘artificial stupidity’When Marshall McLuhan attempted to categorise media along a ‘hot’ and ‘cool’ spectrum in 1964, artificial intelligence was still in its infancy, of interest primarily to programmers and sci-fi enthusiasts. That AI could produce media was an unfathomable idea.