ArtReview
ArtReview is a global magazine focused on contemporary art and is headquartered in London. Its companion publication, ArtReview Asia, offers insights from an Asian viewpoint and is located in Shanghai.
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Articles
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4 days ago |
artreview.com | Oliver Basciano
The 14th edition, Estalo, postponed following the 2024 flooding of Porto Alegre, considers ideas of the world in overloadFor a while now there has been a glitchy band appearing on my laptop screen. It comes and gloats over my impending misfortune before disappearing just as mysteriously. It is, I know, the harbinger of my computer’s death. One might take the odd, increasingly frequent glitches in the weather as signalling something similar. In 2024 Porto Alegre, in the south of Brazil, flooded.
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4 days ago |
artreview.com | Nirmala Devi |J.J. Charlesworth |Oliver Basciano
Our editors on the exhibitions they’re looking forward to this month, from Wolfgang Tillmans and Momentum 13 to Marina Tabassum’s Serpentine PavilionMarina Tabassum: A Capsule in TimeSerpentine Pavilion, London, 6 June–26 OctoberNormally, like a fly that a small child has stripped of its wings, when architecture becomes part of the content of a museum or gallery it does so to die.
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1 week ago |
artreview.com | Terry Nguyen
Steyerl challenges us to recognise the vast scale of AI’s ubiquity and also to realise its ‘artificial stupidity’When Marshall McLuhan attempted to categorise media along a ‘hot’ and ‘cool’ spectrum in 1964, artificial intelligence was still in its infancy, of interest primarily to programmers and sci-fi enthusiasts. That AI could produce media was an unfathomable idea.
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1 week ago |
artreview.com | Mark Rappolt
The curator and fashion critic’s debut novel explores the potential for individuals and groups to construct and maintain their own worldsCurator and fashion critic Charlie Porter’s first novel is about Johnny and Jerry. It is about seeing and being seen. It’s about British society. It’s about life lived between the potential of youth and the eradication of that potential at life’s end. It’s about what remains after that. ‘Let me sort through who I am…’ it begins.
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1 week ago |
artreview.com | Claudia Ross
From Yorgos Lanthimos to David Lynch, Jim Jarmusch to Harmony Korine, a growing number of filmmakers are turning their hand to exhibitions of visual art. What could go wrong? Yorgos Lanthimos’s Poor Things (2023) has been dubbed ‘an awe-striking visual feast’, Wes Anderson named ‘one of America’s most unique cinematic voices’, and Sean Baker’s Oscar-winning Anora (2024) likened to ‘a rich Tchaikovskian symphony’.
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