Articles
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3 days ago |
timesargus.com | Jim Lowe
Glenn and Kim are multi-generational Vermont family farmers who are hoping to retire and struggling with how to pass on their farm because their kids have decided not to go into farming. Matt and Kenza are millennials who just bought their first farm. They have a toddler, and they discover they have another on the way. And they’re broke. Gabriella is a migrant working on one of the big dairy farms while longing for her mother and child in Mexico.
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4 days ago |
timesargus.com | Jim Lowe
Edith Wharton (1862-1937) was an American poet, novelist and designer, and the first woman to win a Pulitzer Prize for Fiction for her novel “The Age of Innocence.” She grew up in the aristocracy of New York City in the “Gilded Age,” and that’s where she set her stories.
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5 days ago |
timesargus.com | Jim Lowe
The Vermont Symphony Orchestra, in conjunction with tonight’s performance of Gustav Mahler’s Symphony No. 1, “Titan,” is celebrating its 91st season announcing its most ambitious programming to date. The 2025-26 season also marks the second season for Andrew Crust as the state professional orchestra’s fifth music director. “It takes time to get to know the orchestra and vice versa, and to get to know the community and what the community needs,” Crust said recently.
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5 days ago |
timesargus.com | Jim Lowe
“There would be no Capital City Concerts without it,” explains flutist Karen Kevra, who founded the series, one of Vermont’s finest. “I think about the most significant thing for me about Capital City Concerts is the relationships, these musical relationships that, started off with a seed that was planted by Louis Moyse and then it grew.”I’ll tell you more in a bit.
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1 week ago |
rutlandherald.com | Jim Lowe
Andrew Crust has chosen a powerful finale for his second season as the Vermont Symphony Orchestra’s music director, Gustav Mahler’s Symphony No. 1, sometimes called “Titan.”“You know, it’s a massive orchestra, over 80 players on the stage, eight French horns alone,” Crust said. “Of course, he used all of the extremes in his music, from the most intimate to the most epic and dramatic. At the end of the First Symphony, he actually asked the horns to stand up as they play.
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