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Jan 7, 2025 | 
actuarialpost.co.uk | John Hoskin
By John Hoskin, Partner and Insurance & Longevity Consulting Actuary at Barnett Waddingham
Much of PS15/24 simply removes any references to EU legislation by expanding the PRA Rulebook to (largely) replicate relevant EU materials although there are some key changes.
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Feb 20, 2024 | 
pubs.acs.org | John Hoskin |Myungeun Jeong |David Siler |David Ebner
Download Hi-Res ImageDownload to MS-PowerPointCite This:J. Org. Chem. 2024, XXXX, XXX Terms & Conditions Most electronic Supporting Information files are available without a subscription to ACS Web Editions. Such files may be downloaded by article for research use (if there is a public use license linked to the relevant article, that license may permit other uses).
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Nov 1, 2023 | 
artasiapacific.com | HG Masters |Alison Carroll |Pamela Zeplin |John Hoskin
Issue What is a monument? What values do monuments project into civic spaces? And what does it mean to work in a monumental format? The three-person collective Tromarama, comprised of Febie Babyrose, Herbert Hans, and Ruddy Hatumena, conceived of their moving-image work (2023) for the giant 65-by-110-meter screen on the M+ Facade as an intimate family tribute.
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Nov 1, 2023 | 
artasiapacific.com | Béatrice Grenier |Alison Carroll |Pamela Zeplin |John Hoskin
YU HONG, The Ship of Fools, 2021, acrylic on canvas, 250 × 900 × 5 cm. Courtesy the artist and Lisson Gallery.
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Nov 1, 2023 | 
artasiapacific.com | Jennifer Piejko |Alison Carroll |Pamela Zeplin |John Hoskin
Issue There is no surer welcome for a graffiti artist than the humble iron gate: ornamental, industrial, and imposing, these barred portals present irresistible frontiers that invite as much as they repel. For Norwegian artist Ida Ekblad the fence circling a bus depot in Oslo was once an oblique point of entry, a place into which she could drift and paint murals on the walls and roof, leave her mark, and turn a municipal complex into a summer hideout with her peers.
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Nov 1, 2023 | artasiapacific.com | HG Masters |Alison Carroll |Pamela Zeplin |John Hoskin
Issue What is a monument? What values do monuments project into civic spaces? And what does it mean to work in a monumental format? The three-person collective Tromarama, comprised of Febie Babyrose, Herbert Hans, and Ruddy Hatumena, conceived of their moving-image work (2023) for the giant 65-by-110-meter screen on the M+ Facade as an intimate family tribute.
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Nov 1, 2023 | artasiapacific.com | Jennifer Piejko |Alison Carroll |Pamela Zeplin |John Hoskin
Issue There is no surer welcome for a graffiti artist than the humble iron gate: ornamental, industrial, and imposing, these barred portals present irresistible frontiers that invite as much as they repel. For Norwegian artist Ida Ekblad the fence circling a bus depot in Oslo was once an oblique point of entry, a place into which she could drift and paint murals on the walls and roof, leave her mark, and turn a municipal complex into a summer hideout with her peers.
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Sep 1, 2023 | 
artasiapacific.com | Alison Carroll |Pamela Zeplin |John Hoskin |John Clark
Issue Can the art market in mainland China bounce back to pre-pandemic form and avoid the slowing growth experienced by the country at large? Would the North Atlantic art world shake off a bad auction season in New York in May to find renewed enthusiasm among European fair-goers? And does Asia still have room to expand its annual calendar of art fairs beyond the March-September rivalry of global behemoths Art Basel and Frieze?
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Sep 1, 2023 | 
artasiapacific.com | Jin Meyerson |Alison Carroll |Pamela Zeplin |John Hoskin
Issue Arriving late at the home of renowned Korean artist Park Seo-Bo after fighting Seoul’s traffic, I find him holding court at the head of a long table; on one side sits his daughter-in-law; on the other, a handful of friends and gallerists. At 91, Park remains lucid and sharp, and with the assistance of his family continues to be the epicenter of activity.
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Sep 1, 2023 | 
artasiapacific.com | Elaine W. Ng |Alison Carroll |Pamela Zeplin |John Hoskin
Issue Whether through sight, sound, or textures, humans are always receiving sensory data and reacting. The way we think of ourselves, however, is sometimes less fundamental or elemental, while many contemporary artists have worked to draw our intimate and personal associations or attachments to sensations. Exploring the abject and extreme limitations of our bodies as physical and emotional entities is artist Mire Lee.
