Articles

  • Aug 15, 2024 | austinchronicle.com | Josh Kupecki

    2024, NR, 152 min. Directed by Agnieszka Holland. Starring Jalal Altawil, Behi Djanati Atai, Maja Ostaszewska, Tomasz Wlosok, Dalia Naous, Jaśmina Polak, Malwina Buss, Mohamad Al Rashi, Agata Kulesza, Monika Frajczyk. REVIEWED By Josh Kupecki, Fri., Aug. 16, 2024Leave it to Belarus, that eternal hotbed of human rights violations, and specifically to dictator Alexander Lukashenko, to fan the flames of the European migrant crisis, now nearly 10 years on.

  • May 8, 2024 | austinchronicle.com | Josh Kupecki

    Winter is slowly receding in the small mountain village of Harasawa, a few hours north of Tokyo. The trees are still mostly bare, the forest floor crunches underfoot, but the skies are clear and the surrounding snow caps are melting, swelling the downhill rivulets. This water is gathered by the town’s self-described “jack of all trades” Takumi (Omika), for use in the local noodle shop.

  • Mar 12, 2024 | austinchronicle.com | Josh Kupecki

    2024, NR, 121 min. Directed by Matteo Garrone. Starring Seydou Sarr, Moustapha Fall, Ndeye Khady Sy, Issaka Sawadogo, Venus Gueye, Hichem Yacoubi, Joseph Beddelem. REVIEWED By Josh Kupecki, Fri., March 15, 2024 It started on the bus – crossing from Mali to Niger – when the border patrol immediately saw through the forged passports and demanded fifty bucks or a trip to jail.

  • Jan 31, 2024 | austinchronicle.com | Josh Kupecki

    In Hell’s green room, the drinks are not free. But try telling that to the demon dog Rainer (Löwensohn); he’s otherwise occupied with readying himself and his guest for an audience with underworld royalty. The guest is an elderly woman stricken with amnesia, but also, she is Conann (Brion). And this underworld royalty, who sits upon a throne in a cave of shadows? She is Conann (and also Brion).

  • Jan 10, 2024 | austinchronicle.com | Josh Kupecki

    The three minutes of prelusive black screen that open Jonathan Glazer’s Holocaust drama The Zone of Interest serve to tamp down outside thoughts, the gradual choral music on the soundtrack attuning the viewer to the film. It’s a method of conditioning, cinematic shorthand that roughly translates to “prepare yourself.” The film then cuts to an idyllic riverside, a family picnic in progress: swimming, picking berries, walking back to the car, the ride home, and then lights out.

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