Kat Hughes

6 days ago | thehollywoodnews.com | Kat Hughes

Before settling in to watch Andrea M. Catinella’s Piglet, it is important to point out that this film has no connection to the Winnie-the-Pooh: Blood and Honey films. Instead, this iteration sees a group of girls stalked and butchered by a monstrous man in a mask, as festivities for a planned 21st shindig go very, very awry. Although sharing no direct ties to Winnie-the-Pooh it is easy to understand why people might get the films confused.

1 week ago | thehollywoodnews.com | Kat Hughes

Following in the footsteps of Winnie-the-Pooh, Popeye is one of the latest properties to enter the public domain. This means that filmmakers are able to utilise the character and aspects of his story however they want, without having to pay any fees. For filmmakers early in their career this is a blessing as it enables their work to capture audiences attention more easily than trying to get them invested in an unknown property.

1 week ago | thehollywoodnews.com | Kat Hughes

These days, Ti West is best known to horror audiences for his work with Mia Goth on his X trilogy. Before he was immersed in the fame hungry journey of Maxine Minx however, West was already pumping out a smorgasbord of different genre flavours, with one of his most popular being 2009’s The House of the Devil. Having sensed its popularity, boutique Blu-Ray label, Second Sight, has just put out both a UHD and Blu-ray release of the film.

1 week ago | thehollywoodnews.com | Kat Hughes

Last Year at TriBeCa THN watched Jed Hart’s Restless. The film immediately stressed us out with its accurate portrayal of the Hell that is living next door to noisy and inconsiderate neighbours. It made writer and director Jed Hart an instant addition to our ‘filmmakers to watch list.’ Having toured the festival circuit, most recently screening at Glasgow Film Festival, Restless is now available on Digital in both the US and UK, and needs to be watched as soon as possible.

1 week ago | thehollywoodnews.com | Kat Hughes

William Friedkin’s The Exorcist is viewed by most as being the greatest demonic possession horror ever created. The film was based on William Peter Blatty’s 1971 novel of the same name, but where did Blatty himself get inspiration from? The answer to that question comes in the release of David Midell’s The Ritual.