Kathleen Mansfield's profile photo

Kathleen Mansfield

Contributing Editor at Southern Distinction

Articles

  • 2 weeks ago | northwestend.com | Kathleen Mansfield

    Writer, Cossette Bolt, creates a homage to humanity with this script. The sensitive subject (set in a funeral home where the dead are finally prepared for their send-off) is a tribute to the lives each body recently encompassed. Bolt says: This story exists because tragedy exists. [A] staggering number of lives [are] lost as a result of natural disasters, human disasters, and the pandemic.

  • 3 weeks ago | northwestend.com | Kathleen Mansfield

    Accomplished Scottish writer, actor and director, Isobel McArthur, has taken the old adage, while the cats away the mice will play and crafted an absolute winner in Pride and Prejudice* (*sort of). It is hilarious and superbly performed by an ensemble of talented actors. Costume changes happen as if Houdini were channeled (or maybe Derren Brown with his clever psychology and hypnotism).

  • 1 month ago | northwestend.com | Kathleen Mansfield

    What began as slightly self-conscious soon developed into a showcase of joy for this young collection of enthusiasts. The premise was simple: a tavern with a collection of characters who told their stories through song and dance. It reminded me of Jim Cartwright’s TWO but the stories were somewhat thinner, each tale being bound by the lyrics of a particular song. My favourite was the traditional Irish ballad, Aililiú Na Gamhna, sung by second-year, Lily Hodge.

  • 2 months ago | northwestend.com | Kathleen Mansfield

    Oodles of talent poured forth at a humble village hall in the Scottish Borders on Sunday afternoon. The Royal Conservatoire of Scotland’s young talent got themselves organised and created a programme of music which was a delight. Eighteen-year-olds, Maria McMaster (voice) and Lena Błotnicka (Cello) and nineteen-year-olds, Michael Gemmell on piano and Kristie MacKenzie on flute are all first-year students at the Conservatoire.

  • 2 months ago | northwestend.com | Kathleen Mansfield

    As ever, Scottish Opera delivers sumptuous sets, great lighting, singers who can act, and a wonderful orchestra that never disappoints, but this English rendition of The Makropulos Affair, by Leoš Janàček jarred my senses with its modern-day, casual lexicon. Words, such as F*ck somehow don’t marry comfortably with the impassioned, heightened music and traditional, elegant, and beautiful costumes. It was, no doubt, a deliberate choice.

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