Articles

  • Oct 28, 2024 | theguardian.com | Katie Goh

    Sam Beam, better known as his stage name Iron & Wine, is holding court on a crowded stage. Although Iron & Wine is a one-man musical project, Beam is joined by seven collaborators tonight: there are the musicians – covering strings, keys and drums – and then there are the puppeteers: two artists from the Emmy award-winning Manual Cinema work three projectors. On a screen behind Beam and the band, the seated audience is treated to a shadow puppet show throughout the set.

  • Aug 18, 2024 | prospectmagazine.co.uk | Katie Goh

    In Michael MacLeod’s first reporting job, at the now defunct Wee County News covering Clackmannanshire, Scotland’s smallest county, every story published had an impact on the community. “You had people coming in with guns and knives and bottles of piss to tell you what they thought about you writing about [their] crimes,” he says.

  • Jul 24, 2024 | festmag.com | Katie Goh

    You wait eight years for an adaptation of The Outrun and then two come along at once. Discussions for turning Amy Liptrot’s memoir into screen and stage adaptations began a year after the book was first published in 2016. The Outrun, which recounts Liptrot’s journey to sobriety on Orkney, was a bestseller upon release, shortlisted for major literary awards and hailed as ‘revelation’ by the Guardian for its fresh, accessible approach to nature writing.

  • Jul 14, 2024 | hyphenonline.com | Katie Goh

    In her 20-year career as a visual artist, Zarah Hussain has never been commissioned by or worked with a curator at a senior level in the UK who is also Muslim. “Where are the role models in the arts? Where are the musicians and the artists?”The lack of Muslims in the creative sector is a reality that’s been addressed in research published this year.

  • May 18, 2024 | bfi.org.uk | Catherine Wheatley |Katie Goh

    Set in the weeks leading up to the guerrilla war for independence, Sambizanga focuses on the plight of a young couple. Domingos (Domingos de Oliveira), a member of the liberation movement, is arrested, interrogated, brutally beaten and sent to the dreaded Luanda prison by Portuguese authorities. Not knowing of her husband’s fate, Maria (Elisa Andrade) and her child relentlessly search for him, from village to village and navigating a web of colonial bureaucracy.

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