
Laurel Weber Snyder
Articles
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Jun 28, 2024 |
hbook.com | Susan Cooper |Jillian Tamaki |Laurel Weber Snyder
Illustration (c) 2024 by Selina Alko. From the May/June 2024 special issue of The Horn Book Magazine: Our Centennial. For more Horn Book centennial coverage, click here. Find more in the "Blowing the Horn" series here. Single copies of this special issue are available for $15.00 including postage and may be ordered from:Horn Book Magazine Customer [email protected] subscription information is here.
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Jun 27, 2024 |
hbook.com | Susan Cooper |Jillian Tamaki |Laurel Weber Snyder |Lynne Rae Perkins
Susan Cooper. Photo: Tsar Fedorsky. I’ve been here before. Long ago, in October 1974, when I was thirty-eight years old, the handsome fiftieth-anniversary issue of The Horn Book Magazine ended with a little two-page tribute from me. It was titled “A Love Letter to the Horn Book.”And it did tell a story of falling in love.
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Jun 26, 2024 |
hbook.com | Jillian Tamaki |Laurel Weber Snyder |Lynne Rae Perkins |Carole Lindstrom
Illustration (c) 2024 by Jillian Tamaki. From the May/June 2024 special issue of The Horn Book Magazine: Our Centennial. For more Horn Book centennial coverage, click here. Find more in the "Blowing the Horn" series here. Single copies of this special issue are available for $15.00 including postage and may be ordered from:Horn Book Magazine Customer [email protected] subscription information is here.
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Jun 25, 2024 |
hbook.com | Laurel Weber Snyder |Lynne Rae Perkins |Carole Lindstrom |Katherine Paterson
I sat down today to write about hope, but the truth is that we live in a fractured and fragile time, and it can be hard to feel hopeful, even with regard to children’s literature. Here, where I sit in Atlanta, Georgia, the state legislature is poised to curtail and defund the American Library Association, while so many of our best-loved books are being censored nationwide.
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Jun 13, 2024 |
hbook.com | Tanya Lee Stone |Steve Sheinkin |Alice Faye Duncan |Laurel Weber Snyder
A picture book is a dance that begins with a solitary dancer, whose success depends on sharing the stage with future partners. In truth, it is a company of dancers: author and illustrator, editor, designer, and art director. And only together will the dance flourish. But as Patrick Swayze famously said in Dirty Dancing, “This is my dance space. This is your dance space. I don’t go into yours; you don’t go into mine.
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