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2 weeks ago | 
blind-magazine.com | Lou Tsatsas
« En quoi les gens croient et comment organisent-ils leur perception du réel ? Quel ordre créent-ils pour comprendre et dompter la complexité de notre univers ? » Ce sont ces décisions, conscientes ou non, qui animent l’édition 2025 du Fotofestiwal, à Łódź. Autant de représentations qui influencent notre manière d’envisager notre environnement, transformant l’image en un outil de résistance ou de propagande.
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2 weeks ago | 
blind-magazine.com | Lou Tsatsas
“What do people believe in and how do they organize their perception of reality? What order do they create to understand and tame the complexity of our universe?” These decisions, conscious or not, are what drive the 2025 edition of Fotofestiwal in Łódź. These are all representations that influence how we view our environment, transforming the image into a tool of resistance or propaganda.
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1 month ago | 
blind-magazine.com | Lou Tsatsas
C’est sous le soleil printanier de Porto, au détour des façades à mosaïque emblématiques de la ville que s’ouvre l’édition 2025 de la Bienal Fotografia.
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1 month ago | 
blind-magazine.com | Lou Tsatsas
It is under the spring sunshine of Porto, at the turn of the city’s emblematic mosaic facades, that the 2025 edition of the Bienal Fotografia opens.
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2 months ago | 
blind-magazine.com | Lou Tsatsas
En maillot de bain doré, en vierge implorante ancrée dans la cire d’une bougie ou nue sur un cheval gonflable, Isabella Madrid, photographie colombienne de 25 ans, joue, à Circulation(s) de nombreux rôles – ceux que la société colombienne inculque aux femmes et que les étrangers consomment sans modération. Dans un projet fait de contradictions, le sourire aux dents blanches de l’artiste devient une arme, destinée à déconstruire les archétypes qu’elle érige.
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2 months ago | 
blind-magazine.com | Lou Tsatsas
In a golden swimsuit, as a pleading virgin anchored in candle wax, or naked on an inflatable horse, Isabella Madrid, a 25-year-old Colombian photographer, plays many roles at Circulation(s) – those that Colombian society instills in women and that foreigners consume without moderation. In a project made of contradictions, the artist’s white-toothed smile becomes a weapon, intended to deconstruct the archetypes she erects.
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2 months ago | 
blind-magazine.com | Lou Tsatsas
IDans la province canadienne du Nouveau-Brunswick, la ville de Saint John abrite la plus grande usine de pétrole du pays. Dirigée, en majorité, par une même famille milliardaire qui y emploie une large partie de la population de la région, son monopole s’étend au-delà du simple secteur économique : il influence également la sphère politique. « Dans cette ville, les quartiers les plus riches et les plus pauvres du Canada se trouvent à dix minutes en voiture l’un de l’autre.
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2 months ago | 
blind-magazine.com | Lou Tsatsas
In the Canadian province of New Brunswick, the city of Saint John is home to the country’s largest oil refinery. Mostly run by a single billionaire family that employs a large part of the region’s population, its monopoly extends beyond economics into the political sphere as well. “In this city, the richest and the poorest neighborhoods in Canada are just ten minutes apart by car.
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2 months ago | 
blind-magazine.com | Lou Tsatsas
In one image, a man pastes a clear blue sky over a wall once covered in window-like wallpaper. In another, two figures appear as silhouettes behind a bedsheet, gently lit by the soft rays of springtime sun. Nearby, two women stand proudly beside their bicycles, posing in front of a white picket fence — an unmistakable symbol of suburban affluence in America.
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Mar 27, 2025 | 
blind-magazine.com | Lou Tsatsas
“Frida Forever was never a planned project, a structured concept. It was born from a state of being: I was there, I was sick, and I was a photographer – so, I took photos,” says Frida Lisa Carstensen Jersø. At 14, the Danish artist fell over 4 meters when the railing of a bridge she was leaning on gave way. Her fall onto the asphalt broke her back and injured her spinal cord, leaving her paraplegic.
