Maria Farsoon's profile photo

Maria Farsoon

London

Journalist at The Skinny

Articles

  • 1 month ago | theskinny.co.uk | Maria Farsoon

    Andy Arnold revives Arthur Miller’s acclaimed play aiming to coalesce audiences through tragedy. Coming into the production blind, not having read nor seen the play before, we leave refreshed by its sincerity and simplicity. The play, and Arnold’s adaptation of it, screams tradition. It is protagonist Willy Loman’s (David Hayman) infantile yet encapsulating line – “I don’t want change, I want Swiss cheese.

  • 1 month ago | theskinny.co.uk | Maria Farsoon

    Album title: Tell Dem It's Sunny Artist: Greentea Peng Label: Awal Recordings Release date: 21 Mar Greentea Peng's newest album, Tell Dem it’s Sunny, is a striking fusion of psychedelic rap and R'n'B.

  • 1 month ago | theskinny.co.uk | Maria Farsoon

    Book title: Universality Author: Natasha Brown Natasha Brown’s Universality is a book about the intricacies of language and the slippery slope between journalistic integrity and intent. It opens with an investigative article that catalyses the rest of the novel, written by a freelance journalist, Hannah, who examines a violent attack on a farm and the socio-political and economic questions that arise.

  • 1 month ago | theskinny.co.uk | Maria Farsoon

    Georgia Cécile quite literally sparkles on the stage. Alongside her six-piece band and two dazzling vocalists, the ensemble work with high energy and uniformity. Cécile and her vocalists perform choregraphed movements, while a spotlight highlights solos throughout the night; the show is intricately staged, and her grand opening number sings to the audience to ‘leave your worries at the door’, establishing a vivacious spirit.

  • 2 months ago | theskinny.co.uk | Maria Farsoon

    In 2002, English teacher Suzy Atallah instructed schoolgirls of St Joseph’s Catholic School in Bethlehem to keep diaries for class. Hana Greer, Yolanda Mitchell, and Aisha Lawal animate these diary entries tonight, as part of Bethlehem Calling, by enacting the girls’ self-documented experiences – word-for-word – during the Second Intifada. A live band captures and interacts with this re-enactment of Palestinian girlhood.

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