
Matthew Allard ACS
Cinematographer at Freelance
Editor at Newsshooter
Freelance DOP. Editor https://t.co/TWb4LxmXKq
Articles
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2 weeks ago |
newsshooter.com | Matthew Allard ACS
Nick Driftwood has released his new ARRI False Color Exposure Index DCTL for LogC3 and LogC4 users within Davinci Resolve Studio. This works verbatim as to how it works in-camera. Now, ARRI users can check their clips across the edit and grade, matching the metadata of their ingest to post-production. ARRI EI Map DCTLe (Ver 1.5) is a DaVinci Resolve DCTL that emulates ARRI’s native six-zone false-color overlay with pixel-perfect accuracy.
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2 weeks ago |
newsshooter.com | Matthew Allard ACS
At Cine Gear 2025 in Los Angeles, Hollyland was showing its new LARK A1 wireless microphone. The LARK A1 wireless microphone can deliver 48kHz/24-bit high-fidelity audio quality with three-level intelligent noise cancellation. This microphone is being targeted at vloggers, streamers, and content creators who seek clear audio without the hassle of complex settings.
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2 weeks ago |
newsshooter.com | Matthew Allard ACS
The LARK MAX 2 is a big upgrade over the original LARK MAX, with low-latency wireless monitoring, 32-bit float recording, timecode support, and AI-driven noise cancellation. We first saw a prototype of the LARK MAX 2 shown at NAB 2025. Above, you can see our interview from the show. The LARK MAX 2 has features such as low-latency wireless monitoring, 32-bit float recording, AI-driven noise cancellation, a hover-clip design, and excimer Nano-coating.
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2 weeks ago |
newsshooter.com | Matthew Allard ACS
Hawk-Woods has introduced its new G-Lok Mini Gold Mount batteries at Cine Gear 2025 in Los Angeles. It has been more than a decade since Hawk-Woods unveiled its Mini V-Lok batteries, which, if I am not mistaken, were the first ever mini-sized V-mount batteries. As Hawk-Woods has primarily been focused on markets in the UK and Europe, where V-mount is the popular option, they haven’t made any Gold Mount batteries, that was until now.
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3 weeks ago |
newsshooter.com | Matthew Allard ACS
At Cine Gear 2025 in Los Angeles, Iron Glass was showcasing its newest Soviet Medium Format Lenses. Originally designed for 6×6 film, these lenses are reborn with modern enhancements. The set was designed to bring a unique, vintage look to modern filmmaking. They are claimed to deliver timeless bokeh, gorgeous depth, and vintage character.
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