Newsshooter

Newsshooter.com focuses on the use of large sensor cameras and DSLRs for capturing news, documentaries, and factual content. Written by experienced professionals from around the world, this platform serves as a space for industry experts, educators, students, and enthusiasts to engage in conversations about the techniques and artistry involved in filmmaking that reflects reality.

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Mutiny expands its popular QD mounts for adding straps to cameras

2 weeks ago | newsshooter.com | Erik Naso

Having a secure way to mount a camera strap to your expensive camera is a must. Not only a safe but also a quick way to remove it. In comes the Mutiny QD Mount. The Mutiny QD Mounts come in several styles and they all share one feature. A quick release that works with a simple push of a button. Mutiny has expanded the QD mounts with several different mounting options, from a longer slotted to Arri Accessory style with locking pins.
Driftwood ARRI EI Map DCTLe

2 weeks ago | newsshooter.com | Matthew Allard ACS

Nick Driftwood has released his new ARRI False Color Exposure Index DCTL for LogC3 and LogC4 users within Davinci Resolve Studio. This works verbatim as to how it works in-camera. Now, ARRI users can check their clips across the edit and grade, matching the metadata of their ingest to post-production. ARRI EI Map DCTLe (Ver 1.5) is a DaVinci Resolve DCTL that emulates ARRI’s native six-zone false-color overlay with pixel-perfect accuracy.
Hollyland LARK A1– Cine Gear 2025 - Newsshooter

2 weeks ago | newsshooter.com | Matthew Allard ACS

At Cine Gear 2025 in Los Angeles, Hollyland was showing its new LARK A1 wireless microphone. The LARK A1 wireless microphone can deliver 48kHz/24-bit high-fidelity audio quality with three-level intelligent noise cancellation. This microphone is being targeted at vloggers, streamers, and content creators who seek clear audio without the hassle of complex settings.
Hollyland LARK MAX 2– Cine Gear 2025 - Newsshooter

2 weeks ago | newsshooter.com | Matthew Allard ACS

The LARK MAX 2 is a big upgrade over the original LARK MAX, with low-latency wireless monitoring, 32-bit float recording, timecode support, and AI-driven noise cancellation. We first saw a prototype of the LARK MAX 2 shown at NAB 2025. Above, you can see our interview from the show. The LARK MAX 2 has features such as low-latency wireless monitoring, 32-bit float recording, AI-driven noise cancellation, a hover-clip design, and excimer Nano-coating.
Mutiny ISO X2 AND ISO X2+ Video distribution amplifier with a 12G isolator built in

2 weeks ago | newsshooter.com | Erik Naso

The Mutiny ISO X2 AND ISO X2+ are True 12G SDI 1:2 (1 in 2 out) video distribution amplifier with a 12G isolator built in and re-clocked outputs. The ISO X2+ adds 2x 2pin power outputs (5amp limit) to power monitors or a wireless video transmitter or both. The ISO X2 and ISO X2+ system were co-developed with FreakshowHD and feature everything the MSX2 series offers, plus more.
FinderKit: Viewfinder For filmmaking and photography

2 weeks ago | newsshooter.com | Erik Naso

The FinderKit is a fast, intuitive viewfinder app from the developer of CameraKit and LensKit. It’s great for scouting a location, testing a new angle on set, or making a quick photo-based storyboard. FinderKit will help you work faster and keep you and your crew in sync. FinderKit also has a dedicated mode for photographers, with common photo sensor sizes and a simplified lens interface. The app is simple to use, and the interface is clean with nice bold text.
SIGMA Aizu Primes large-format cinema lenses with a T1.3 aperture Cine Gear 2025

2 weeks ago | newsshooter.com | Erik Naso

SIGMA has announced its new Aizu Primes, which it states are the world’s first large-format cinema lenses to feature a constant T1.3 aperture across all focal lengths. The lenses will be available in either PL or Sony E mount. We had a look at the new lineup at Cine Gear 2025. All of the lenses cover a ⌀46.3mm image circle, ensuring full coverage not only for full-frame and Super 35 formats, but also for the latest large-format cameras such as the ARRI ALEXA LF Open Gate and VistaVision.
Hawk-Woods G-Lok Mini Gold Mount Batteries First Look at Cine Gear 2025

2 weeks ago | newsshooter.com | Matthew Allard ACS

Hawk-Woods has introduced its new G-Lok Mini Gold Mount batteries at Cine Gear 2025 in Los Angeles. It has been more than a decade since Hawk-Woods unveiled its Mini V-Lok batteries, which, if I am not mistaken, were the first ever mini-sized V-mount batteries. As Hawk-Woods has primarily been focused on markets in the UK and Europe, where V-mount is the popular option, they haven’t made any Gold Mount batteries, that was until now.
SIGMA 28-105mm T3 AF Cine Zoom First Look

2 weeks ago | newsshooter.com | Erik Naso

At Cine Gear 2025, SIGMA showed the newly announced 28-105mm T3 FF AF Cine Zooms, which are in development,. There are two versions, the other being the 28-45mm T2 AF. The Sigma 28-45mm T2 FF will be available in November 2025, and the Sigma 28-105mm T3 FF will be available in Spring 2026. The lenses will be available in Sony E and Leica L mounts.
Iron Glass Soviet Medium Format Lenses First Look at Cine Gear 2025

2 weeks ago | newsshooter.com | Matthew Allard ACS

At Cine Gear 2025 in Los Angeles, Iron Glass was showcasing its newest Soviet Medium Format Lenses. Originally designed for 6×6 film, these lenses are reborn with modern enhancements. The set was designed to bring a unique, vintage look to modern filmmaking. They are claimed to deliver timeless bokeh, gorgeous depth, and vintage character.