Max Crosbie-Jones
Contributing Editor at ArtReview
Writer-editor based in Bangkok. Contributing Editor for @ArtReview_ Asia magazine.
Articles
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4 weeks ago |
artreview.com | Max Crosbie-Jones
It’s fun to frolic amid art and nature in Thailand’s newly opened Khao Yai Art Forest, but it might yet take some time for this utopian enterprise to bloom“Maman is a spider and a mother, a nest and a prison. Yet for the first time, here in the jungle, the spider appears for what it is: a bug in the grass.” Stefano Rabolli Pansera, the debonair director of Thailand’s newest contemporary art attraction, Khao Yai Art Forest, is talking about the last work of this afternoon’s preview tour.
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Dec 13, 2024 |
artreview.com | Max Crosbie-Jones
Artists at risk back home are finding solace and relative safety in Thailand’s remote corners and art communitiesWithin the field of responsible exhibition-making and ethical art programming, risk management typically revolves around the elimination of health and safety hazards, background checks on sources of external funding, or perhaps, if the show at hand touches on sensitive topics, strategies to mitigate potential offence.
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Nov 18, 2024 |
artreview.com | Max Crosbie-Jones
A new show at Storage, Bangkok takes a range of subaltern, diasporic and postcolonial perspectives on home and belongingDieneke Jansen’s relationship with housing is complicated, as her video essay This Housing Thing (2021) makes clear. Footage of family photo albums supplement a voiceover in which the New Zealand-based artist recounts living during her student days in a “major health hazard” of a flat, back when “seventy-one percent of households were in home ownership”.
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Oct 3, 2024 |
artreview.com | Max Crosbie-Jones
There’s more than meets the eye in Shakespeare Must Die. Max Crosbie-Jones unpicks the saga of the Thai film in light of a longstanding ban being overturned this year There’s a scene in Censor Must Die (2012), a documentary about film censorship in Thailand, in which an artist-filmmaker gets lost in the corridors of power.
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Oct 3, 2024 |
artreview.com | Max Crosbie-Jones
From AI-generated ‘promptography’ to dreamy sci-fi images, what constitutes truth when it comes to photography today? A declarative title sets the stage for a group show that’s concerned with age-old debates about photographic truth.
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RT @ArtReview_: It’s fun to frolic amid art and nature in Thailand’s newly opened Khao Yai Art Forest, but it might yet take some time for…
RT @ArtReview_: Tontey’s practice has gained traction in recent years for her madcap explorations of Indigeneity, ecofeminism and posthuman…
My latest feature for @ArtReview_ Asia highlights some of the many Myanmar artists and collectives finding safe space and allies in Thailand's remote corners, non-profits (@SEAJunction , most notably) and art communities. https://t.co/rrVvBk4jrV