
Michael Janofsky
US Correspondent at Perspective Magazine
Lifelong journalist who sent most of my career as a New York Times correspondent.
Articles
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2 days ago |
nytimes.com | Michael Janofsky
An upcoming exhibition at the Autry Museum in Los Angeles and an earlier one at the Witte Museum in San Antonio reveal the roles of Black cowboys in the early American West. This article is part of our Museums special section about how artists and institutions are adapting to changing times. Children in 1950s America grew up with a distinct image of the Old West through television heroes like the Lone Ranger, Wild Bill Hickok, Wyatt Earp and Hopalong Cassidy.
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2 days ago |
nytimes.com | Michael Janofsky |Grant Hindsley
A show now at the Seattle Art Museum is the largest in the U.S. in the 40-year career of the renowned Chinese artist. The exhibition "Ai, Rebel: The Art and Activism of Ai Weiwei" is on display at the Seattle Art Museum. Here his "Forever Bicycles," which has 42 bicycles welded together, references how bicycles were once ubiquitous in Chinese cities. Credit...
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2 months ago |
perspectivemedia.com | Michael Janofsky |Rowan Pelling
Most of my friends and I live in a bubble (Los Angeles) within a bubble (California). With our deadly fires finally extinguished, we’ve turned our attention to the fires in Washington. The gutting of the federal workforce, tariffs on friends and foes and wild claims on foreign lands as our own, all in the name of making America (ahem) great again. These moves are unprecedented, maybe illegal and certainly ill-conceived.
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Nov 13, 2024 |
perspectivemedia.com | Michael Janofsky
Our good friend Kalyan, a gay Indian-American, was so distraught by rising discrimination against Blacks, Jews, Asians, Muslims and queer people during Donald Trump’s first presidency that he moved to Mexico in 2020.
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Oct 26, 2024 |
nytimes.com | Michael Janofsky
This article is part of the Fine Arts & Exhibits special section on the art world stretching boundaries with new artists, new audiences and new technology. "Guernica" hangs prominently on the seventh floor of the San Francisco Museum of Modern Art, its haphazard forms, oversized limbs and frenetic energy urging visitors to pause and contemplate what it all means. Oh, this isn't that "Guernica," Picasso's monochromatic antiwar painting of 1937 that hangs in the Museo Reina Sofía in Madrid.
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