Michael Marson

1 week ago | behindtheblinds.be | Michael Marson

At the time of this interview, we’re nearing the end of S3, and I’m curious to know if during filming you felt like this season is the one where everything came together for you? You know, you’ve been filming for so long, and everyone kind of knows everyone on set, you’re like one big family and you know the world your character is part of.

2 weeks ago | behindtheblinds.be | Michael Marson

Anthony Vaccarello was drawn to Clemente’s emotive approach, recognizing in his layered use of color a natural resonance with the spirit of the season’s collection. Since the 1970s, Clemente’s art has been shaped by his travels across cultures, each experience leaving a subtle imprint on his work.

2 weeks ago | behindtheblinds.be | Michael Marson

How did acting come about, did it find you while you were modelling, or did you find it? I suppose I found acting because of a commercial I booked for Lee Jeans. The whole commercial was improvised, and the concept was “Lee Jeans will make you look like a model but not think like one.” Oh god, that is so mean. Jesus, but anyway, that was the concept.

1 month ago | behindtheblinds.be | Michael Marson

So, let’s talk about your latest project, the series Long Bright River. You play an injured cop (Truman Dawes), who teams up with your old partner to unravel who is killing vulnerable women in a Philadelphia neighbourhood. The storyline deals with weighty material but unlike other crime dramas, there’s more of a focus on the humanity of the characters in a community dealing with substance use and mental health issues. How did you prepare for the role?

1 month ago | behindtheblinds.be | Michael Marson

Shot by Jack Pierson, the Bally Spring/Summer 2025 campaign unfolds in the sun-drenched Coachella Valley, just outside of Palm Springs, California. The setting—an architectural masterpiece designed by Swiss modernist Albert Frey in 1964—serves as more than just a backdrop.