Articles

  • 3 weeks ago | emorywheel.com | Miranda Wilson

    When I sat down in my first-ever Mandarin class freshman year, I was so clueless that I did not even know the language lacks an alphabet. A debate topic on the Belt and Road Initiative, a global infrastructure development project spearheaded by China, in high school sparked my interest in U.S.-China relations, and, on a whim, I decided to enroll in Emory University’s “Chinese 101.” It turned out to be one of the best decisions I ever made.

  • 1 month ago | stringsmagazine.com | Miranda Wilson

    By Miranda WilsonThe Cellist’s Guide to Scales and Arpeggios by master teachers Theodore Buchholz and Robert Jesselson solves a problem the cello world has had for a long time: the lack of a comprehensive and explanatory scale book for students of all levels. With stated goals such as “progressive order,” “a sequential blueprint,” and “a logical and systematic order,” this book covers information every cellist needs to know in a way that preempts common errors and misconceptions.

  • Jan 29, 2025 | stringsmagazine.com | Miranda Wilson

    By Miranda Wilson | From the January/February 2025 issue of StringsCross-cultural fusions in classical music have become a familiar part of the recorded landscape. Julia Glenn’s new album, Ink Traces, is a product of 15 years of research into Chinese poetry, dancing, calligraphy, painting, and music.

  • Jan 8, 2025 | stringsmagazine.com | Miranda Wilson

    By Miranda Wilson | From the November/December 2024 issue of StringsThis diverse collection of American compositions is German-American violinist Augustin Hadelich’s love letter to his adopted country. Spanning a century and a half, the works on this album represent American composers of many eras, regions, and musical traditions.

  • Jan 1, 2025 | stringsmagazine.com | Miranda Wilson

    By Miranda Wilson | From the November/December 2024 issue of StringsShorthand is a collaboration between the renowned British composer Anna Clyne and the Brooklyn-based performers’ collective the Knights, whose mission is “transforming the orchestral experience and eliminating barriers between audiences and music.” The compositions on this album refer to poetry, art, and music.

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