
Articles
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6 days ago |
businessdoceurope.com | Nick Cunningham
Child of Dust by Weronika Mliczewska and Silver by Natalia Koniarz were the big winners of the 65thKrakow Film Festival. Child of Dust won the Golden Horn in International Competition and shared the Golden Hobby-Horse in National Competition (with Wojciech Staroń for The Passion of Agnieszka).
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6 days ago |
businessdoceurope.com | Nick Cunningham
IDFA is edging even closer to its old spiritual home as Forum 2025 moves into the ITA Theatre on the Leidseplein and all industry talks and consultancy sessions relocate to the legendary de Balie. Docs For Sale meanwhile is headed for the Documentary Pavilion in the Vondelpark. “This means that now, everything is really concentrated around the square,” says Head of Industry Adriek van Nieuwenhuyzen. Other changes are afoot at Forum (November 16-19).
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1 week ago |
businessdoceurope.com | Nick Cunningham
On May 30, the awards of the 20th Krakow FF Industry were handed out, with the top cash award (the Polish Film Institute Award for a project nearing completion) going to Inner Landscapes directed by Zofia Sawicka. In total, nine Polish and Ukrainian projects were pitched in the advanced Docs to Go Section, while 14 new projects were pitched in the Docs to Start. All awards…DOCS TO GO AWARDS: Five prizes were given for Polish documentary film projects in the post-production phase.
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1 week ago |
businessdoceurope.com | Nick Cunningham
Docs Ireland returns to Belfast June 23 to 29 for its seventh edition, showcasing “hard-hitting, eye-opening, and life-affirming documentaries from Ireland and around the world,” organisers write. It also features a “robust” industry programme, connecting filmmakers with leading commissioners and film financiers, drawing a host of influential industry representatives to the city. The festival also presents IGNITE-Docs LASAIR a new Irish language Talent development programme.
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1 week ago |
businessdoceurope.com | Nick Cunningham
Produced by Zofia Kujawska and Maciej Kubicki of Polish production company Telemark, Zofia Sawicka’s debut feature observes the lives of folk on a train as it progresses through an empty wilderness. “This film odyssey is a journey beyond time and space — days and seasons change, and an infinite steppe stretches outside the window,” reads the synopsis (in part). “In the cramped train interior, travellers from around the world meet.
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